Bhakta, Bhagwan, and MahaShivaratri

I had been meaning to attend the Mangal Arati (the morning prayers in Indian temples) at the Ramakrishna Math, Ulsoor (Bengaluru). The Arati starts at 5 am sharp. So I had to start around 4 am to reach well in time. This was on 25th of February. Though it was difficult to break the inertia of sleep, once broken, it was all energy and exuberance in the arctic breeze striking against the face. The night was not over yet. The morning was yet to arrive.

I reached the temple just in time to witness the Mahashivaratri (the night of Shiva) celebrations. Though the original plan was to participate in the Mangal Arati at 5 am, the Shivaratri celebrations from the previous night were just drawing to a close when I reached. It was a sight to behold. Shiva’s image was placed on a throne, ameliorated with flowers and sandalwood paste. The uplifting florid whiff in the air kept all the devotees who had assembled there from the previous night absorbed in Shiva. Many sang, a few meditated, and others just kept an incessant gaze at Shiva, perhaps in contemplation.

While the world outside of me was absorbed in the songs and mantra chanting, my mind was busy weaving a web of questions, answers, analogies, and conclusions. Does God exist? Does Shiva exist? Who are these people worshipping? I observed both sides of the world – The God side and the Devotee side. I saw no difference. There never existed two worlds. It was one. The only answer that could tranquilize me was that God exists when the devotee exists. God ceases to exist when devotees cease to. That we have created impenetrable firewalls between these two worlds, is our own undoing. Inside the temple, at that moment, I couldn’t tell if the devotees were worshipping Shiva or Shiva was worshipping the devotees.

 

While we all celebrate our deities according to our preferences, we tend to forget the names who exemplified devotion and became the Bhaktas who brought the God to us in a humane and relatable form. I find that our history is replete with such stories where Bhagwan (God) and Bhakta (Devotee) have been put on the same pedestal. One is no less than the other for if there is no Devotee, there is no God. Ram and Hanuman, Ram and Tulasidas, Krishna and Radha, Krishna and Meera, Krishna and Sur, Vishnu and Prahlad – the count just keeps growing. There has perhaps never been a story where the God has existed without the Devotee. It would be safe to say that the Devotee creates the God. A spiritual novice is helped on his journey to enlightenment by relating to a humane God that one enlightened devotee from amongst us has created in the past. If we extrapolate this point, we see clearly that for us God is what these devotees tell us about him/her. Krishna is what devotees like Sur, Meera have told us about him. Ram is what devotees like Tulasidas, Kaka Bhusundi tell us about him. Similarly, in a different religion like Christianity, God is seen through the eyes of Jesus.

The night belonged to Shiva, naturally one thinks of Shiva, and one realizes that one sees him only through the stories and poems written and composed by his devotees. Since I belong to the Mithila region of our country, the most prominent name that occurred to me was that of Kavi Kokil Vidyapati. Kavi meaning poet, Kokil meaning Cuckoo, and Vidyapati meaning the Master of Knowledge. True to his name, Vidyapati was a great scholar in Sanskrit and chiefly wrote in Maithili, Abahatta, and Sanskrit. There are two major classifications of his poems – one – love poems concerning Radha and Krishna and then the devotional poems and songs for Shiva. Such is his influence in the Mithila region that no celebration is complete without the rendition of his songs. Interestingly, since he lived in the times when the chief language of eastern India was Abahatta – the primitive form of Maithili, Bengali, Nepali, and Oriya; his influence on these languages is seen as analogous to that of Dante in Italy and Chaucer in England. Vidyapati lived from AD 1352 to 1448.

 

Kavi Kokil Vidyapati
Kavi Kokil Vidyapati

 

The life story of Vidyapati stands as the most glittering testimony to the way Bhakta-Bhagwan relationship has been treated in Indian tradition of culture and its accompanying literature. It is said that Shiva was so impressed by the bhakti of Vidyapati that he took the form of an illiterate herdsman and offered to serve Vidyapati and live with him. Once when the poet was traveling on the invitation of King of Mithila Shiva Singh, he was dehydrated and needed water to drink. Since the area was barren and there was no water source in the vicinity, Shiva who was disguised as Ugna poured out some gangajal (water from Ganges) from his jataa (matted hair). Vidyapati at once recognized gangajal and insisted that Ugna reveal his true form. Ugna admitted to being Shiva himself and promised to stay with him till his identity is not revealed. Later in time, once wife of Vidyapati, Sushila angry at Ugna for not completing his assigned task charged towards him with a broom to punish. Vidyapati couldn’t stand this quietly and gave away Shiva’s cover. Shiva disappeared instantly leaving Vidyapati sad and depressed. Vidyapati left his house in search for Ugna and after much roaming and wanderings, found him at Nandanvana. Ugna didn’t come back with Vidyapati but promised to help Vidyapati as and when needed. The celebrated place where they met again is now known as Ugnasthan (the place of Ugna).

Vidyapati composed several poems for Shiva. The most important aspect of his songs is that they are emotionally very personal and the deity appears to be extremely close to the devotee, sometimes as friend, at times as disciple, other times the Bhakta suffering in separation from Shiva.  This is one great thing that in his poems, Shiva is not an alien super-human figure who is just meant to be worshipped from a distance. In his songs and poems, Shiva becomes your best friend who knows you the best and you are allowed to protest, whine, and love. Shiva becomes that ally in whom you confide all your secrets, share all the joys and sorrows of the world. Vidyapati’s God is not merely to be respected and worshipped; he is to be loved, adored, pampered and kept close all the time.

The Shiva that Mithila knows today is perhaps the personification of all the poems of Vidyapati on Shiva. In a way, Mithila worships the Shiva of Vidyapati. In other words, the regions of Mithila, Bengal, Odisha, and Nepal adopted the Shiva that was created by the great devotee-poet Vidyapati. I am sure this would be true for most of the regions of our country. We have since time immemorial known Gods through their devotees. Be it the Advaita Brahman of Adi Shankaracharya or the beloved Krishna of the romantique Radha, the Mother Kali of Sri Ramakrishna or the Shiva of Sundarar. Gods have needed ardent devotees to bring them closer to this world. As such, knowing the Bhakta is not different from knowing the Bhagwan. The devotees who sat inside the temple premises to observe the Mahashivaratri celebrations projected their own individual selves and together created the whole i.e. Shiva who they worshipped. It won’t be a hyperbole then to say that if one believes that this world was created by an almighty force, it was created only to complete that force’s own existence. Without the manifestation of force, one can’t see the force. What does it matter then that the force still exists?

 

Note – If you are interested, read through the poems of Kavi Vidyapati.  A couple of sources are provided below. Various song-renditions are available on youtube.

Note on 21st February, 2020 (Mahashivaratri) – This rendition is by my mother Smt. Kavita Jha (1973-2019), who absolutely loved singing Vidyapati.

वैलेंटाइन’स डे, अम्मा, और हमारा प्यार।

फिल्म डॉन में अमिताभ बच्चन ने दो भूमिकाएँ निभायी हैं। उनमें से पहला किरदार नकारात्मक है। डॉन एक बहुत खतरनाक अपराधी है और उसके ही शब्दों में ११ मुल्कों की पुलिस उसका पीछा कर रहीं होतीं हैं। फिल्म शोले में जय और वीरू टुच्चे चोर हैं। फिल्म डर में शाहरुख़ खान ने एक बेहद संगीन और जुनूनी आशिक़ का किरदार निभाया है। फिल्म स्पेशल छब्बीस में अक्षय कुमार ने एक ठग का किरदार निभाया।

ये सब मैं आपको क्यूँ बता रहा हूँ? इस से पहले कि मैं उसका जवाब दूँ, मैं एक बात और बता देता हूँ। अभिनेता प्राण शायद अब तक के सबसे हरफनमौला कलाकार रहे हैं। कहा जाता है कि उनके नकारात्मक किरदारों को इतनी नफरत मिली कि एक वक़्त पर दर्शकों को यकीन हो गया कि प्राण निजी ज़िन्दगी में भी वही हाथ में चाबुक लेकर घूमने वाले पूंजीवादी हैवान हैं जो गरीब किसानों का खून पीता है। लोगों ने अपने बच्चों का नाम प्राण रखना बंद कर दिया।

वहीं, इनके पहले मैंने जिन लोगों की बात की है, उनको बेशुमार प्यार मिला। फिल्मों में नकारात्मक किरदारों के मर जाने पर लोग खुश नहीं हुए। अक्षय कुमार का किरदार जब सीबीआई को चकमा देकर भाग जाता है तो हमारी ख़ुशी मुस्कराहट बनकर चेहरे पर आ ही जाती है। परेशान मनोज बाजपेयी के किरदार से किसी को कोई सहानुभूति नहीं होती। ऐसे सभी नकारात्मक किरदारों को जिनको ऐसे अभिनेता निभाते हैं जो आमतौर पर नायक के रूप में पसंद किये जाते हैं, उनको बेशुमार प्यार मिलता है और उस किरदार से एक अनोखी सहानुभूति होती है। वहीं, रंजीत साहब का चेहरा सामने आते ही लड़कियों को देखकर लार टपकाने वाले बलात्कारी की छवि हमारे सामने उभर कर आती है।

कहने का मतलब ये है कि प्यार अंधा होता है। वो बुद्धि के सामने एक काला पर्दा लगा देता है जिसके आर पार कुछ नहीं दीखता। एक फिल्म हमारे पड़ोसी राज्य तमिल नाडु में भी चल रही है। श्रीमती शशिकला ने राज्य की महारानी बनने की पूरी तैयारी कर ली थी। सर्वोच्च न्यायालय को ये बात हजम नहीं हुई और जैसे वो हर जगह रायता फैला देते हैं, यहाँ भी फैला दिया। अब शशिकला कारावास में हैं और उनके सारे सपने सपने ही रह जायेंगे। सर्वोच्च न्यायालय ने एक और इंसान को दोषी ठहराया है जो अब इस दुनिया में नहीं रहीं और लोगों को उनसे बहुत प्यार है। यहाँ पर आप संजय लीला भंसाली के बाजे और ढोल को पार्श्व संगीत समझ सकते हैं। मैं नायक-खलनायक-नायक-खलनायक जयललिता उर्फ़ अम्मा को चित्रपट (screen) पर ला रहा हूँ।

मज़े की बात ये है कि जो भी सुप्रीम कोर्ट ने कहा वो हम सब जानते थे। जनता से कुछ छुपता नहीं। फिर भी हम अम्मा से बहुत प्यार करते हैं। एक प्यार जस्टिस काटजू का भी है।  मैं उसकी बात नहीं कर रहा।  मैं अम्मा से अम्मा वाले प्यार की बात कर रहा हूँ। अम्मा के पाप और शशिकला के पाप बराबर के हैं फिर भी हम दीवाने पागल, अम्मा के पीछे पागल और शशिकला को हर तरह की गालियों से नवाज़ रहे हैं। अभी तो ऐसा ही लग रहा है कि अम्मा दरअसल अम्मा नहीं थीं बल्कि एक छोटी सी मासूम बच्ची थीं जिनको पगली बुढ़िया शशिकला ने बहका दिया। अम्मा के सौ खून माफ़।

ये प्यार है। अँधा और बड़बोला। और इस प्यार के क्या क्या उपयोग हैं, ये आप पन्नीरसेल्वम से पूछिये जिनकी इष्ट देवी आजीवन (और ख़ास तौर इन दिनों) अम्मा रहीं  हैं। अम्मा अपरम्पार हैं। पन्नीरसेल्वम की दशा इस वक़्त ऐसी है कि कोई आज अगर उनसे अम्मा के कुकृत्यों के बारे में पूछे तो वो शायद यही कहेंगे कि चोरी तो भगवान कृष्ण ने भी की थी। अम्मा ने भी रुपये रुपी माखन चुराए, ये उनकी अधेड़ लीला थी।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत चंद बेईमान लोगों ने इस देश को गुलाम बना रक्खा है। ये भीड़ का प्यार है। वो भीड़ जो भेड़ों से बदतर है।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत उत्तर प्रदेश में एक बाप और बेटे ने राज्य को नाटक कंपनी बना दिया है और एक बहन जी ने विकास के नाम पर जनता के हाथ में हाथियों की मूर्तियां थमा दीं।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत पश्चिम बंगाल में दीदी को हर दूसरा इंसान माओवादी दीखता है और हर पहला एवं तीसरा मोदीवादी।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत लालू यादव की भैंसों का चारा कभी ख़त्म नहीं होता।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत राज ठाकरे नाम का एक टुच्चा गुंडा महाराष्ट्र में मुख्यमंत्री के कक्ष में बैठ कर फ़िल्मी कलाकारों का दमन करता है।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत हैदराबाद में एक और लफंगा अकबरुद्दीन ओवैसी हिंदुस्तान की धरती से हिंदुओं को लुप्त कर देने की बात करता है और हज़ारों की भीड़/भेड़ तालियों से उसका अभिनन्दन करती है।

ये प्यार है। अँधा और बड़बोला। वही प्यार जिसकी बदौलत पैसों के लिए ईमानदार इंसानों को और विजय माल्या के लिए बैंकों को कतार में खड़ा कर दिया जाता है।

ये प्यार है। अँधा और बड़बोला। वही प्यार जो आज भी हर फिल्म पर बीइंग ह्यूमन  की टीशर्ट पहनकर ५०० करोड़ सलमान खान के हाथ में रख कर कहता है – “आई लव यू सलमान !”

ये हमारा प्यार है।  हमारा इश्क़। बिना शर्त, अप्रतिबंधित, और निःस्वार्थ। हमारा जूनून। ये डर के शाहरुख़ खान वाला प्यार है जो अपने प्यार के लिए किसी का खून कर सकता है, प्यार जो हर दिन एक सनके आशिक़ की तरह अपने ही देश का बलात्कार करता है और फिर गर्भपात कराता है।

आईये इस बार वैलेंटाइन’स डे के अवसर पर इस प्यार को और अंधा, थोड़ा और बड़बोला बनायें क्यूंकि किसी बड़े शायर ने कहा है – “ये इश्क़ नहीं आसां, आग का दरिया है, आँख मूँद कर जाना है।”

Rammohan to Ramakrishna by F. Max Muller – Lest We Forget!

Countries have habits. Our country has a habit of either believing too strongly in somebody or not believing a word of the person. Whether a person is truthful is a thing to be analyzed only much later when someone else who can have a greater command on our belief system appears on the scene. Many nations have a national habit of believing only their own. Other nations have the habit of believing anything that is imported. Few countries can maintain a balance between the two and analyze. Continue reading “Rammohan to Ramakrishna by F. Max Muller – Lest We Forget!”

Yard Of The Bards – A revolution is simmering in your neighbourhood!

The expansive Cubbon Park seamlessly transforms into a cultural melting pot of the city on weekends. There are so many events happening at any particular time that one shouldn’t be surprised to find a couple of poetry events underway in two different corners of the park at the same time. However, when one is faced by the question – how much is enough? it becomes clear that no number of such events would be enough. Imagine a city, a village or a town with lines of the named and unnamed poets and vacillating voices of various developmental philosophies of the time, floating in the air. What pleasure it would be to see people discussing ideas and just ideas everywhere! Utopian dream? Maybe, but this group doesn’t care.

Continue reading “Yard Of The Bards – A revolution is simmering in your neighbourhood!”

Swami Vivekananda, Women’s Rights, and Uniform Civil Code

India celebrated Republic Day yesterday. We celebrated National Youth Day on 12th January. We also celebrated the birth anniversary of Netaji Subhash Chandra Bose on 23rd. As I started for my work location on 12th of January, I saw on my way, a statue of Swami Vivekananda in a park. The statue shimmered like diamond, was garlanded, and ameliorated with marigold. The visage was beautiful. A similar image awaited me on 23rd January for Netaji and as we celebrated our Republic Day yesterday, I see flags and flowers blanketing the city. I had a question to myself. Have we limited our appreciation and celebrations to just a tweet a year, a post-share per annum of their famous quotes, cleaning of their statues, and garlanding them? The second question in front of me was – How many ideas of these great minds have we garlanded so far? Continue reading “Swami Vivekananda, Women’s Rights, and Uniform Civil Code”

Grapes of Wrath -‘We take a beatin’ all the time.’

I like to look at a book as though it was formed like the universe (with all the conjectures) and grew and nurtured on the world around it. However, a book is incumbent to live up to this perspective.

Grapes of Wrath is such a book. It starts from the dust bowl Oklahoma and moves to California, tracing the trajectory of becoming and unbecoming of migrants, a family seen from close quarters by the author and the graph it scales. While it is the essential storyline of the book, Grapes of Wrath has been able to capture life as it is. I can conclude the book with this imagery: concentric circles, where, in the outermost circle lies nature, in the middle is the Manself (a word coined by the author to denote man and his desires) and within their lap lie the Joads (the family). Continue reading “Grapes of Wrath -‘We take a beatin’ all the time.’”

The Rights and Wrongs Around Jallikattu

The protest for Jallikattu is reaching new heights. It has grown louder in the last few days that even the National media which conveniently ignores the affairs down south has finally taken cognizance. But alas, wrong representatives, frivolous arguments and there has been a lot of misconceptions. This is going to be long read and this is only for those who are ready for a really open-minded discussion. If you are too weak to handle few hard truths, then I must warn that this is not for you.

What is Jallikattu?

A traditional sport of rural Tamil Nadu. This tradition of taming ferocious bulls with one’s bare hands has been there  in practice from time immemorial. The evidences are plenty in Tamil Literature. The current version of Jallikattu is named so because the prize for taming the bull is tied to the horns of the bull.  However, the earlier versions of bull- taming also called as Eruthazhuvuthal or Manju Virattu was played for different reasons. Sometimes it was just a recreation among the farmers, sometimes it was a display of strength of a warrior and sometimes it was to win a girl’s hand in marriage. Irrespective of the reasons it always had remained a mark of bravery and that should explain why people attach so much pride to the sport. In the modern times, Jallikattu is played during the Pongal festival as mark of respect and festive on the second day on the Pongal which is devoted to cattle.

Who banned Jallikattu?

Supreme Court of India. Although Animal Welfare Board of India filed the case to ban Jallikattu, animal right activists and PETA India have been voicing their concerns over Jallikattu for more than a decade now . They have been very instrumental in establishing the argument in favor of the ban.

But one must note that the Supreme Court did not only ban Jallikattu, it also did ban all such events across the country involving animals. That includes Bullock Cart races in Maharashtra and Kambala in Karnataka.

In the past, both the state government and the Union government did try to permit Jallikattu through special Acts, which were duly struck down by the Supreme Court.  It goes without mentioning that both the governments had their own political agenda, but the Supreme Court persisted stating cruelty meted to animals during these events.

The Stance of Jallikattu Supporters

While the Supreme Court has strong reasons to believe that the animals are subject to torture the pro-Jallikattu protesters have a different story to say.

1.“We love our cattle and they are very much our family. There is no harm done to the bulls during Jallikattu“  

The first part of the statement is entirely true, but not the second. Farmers do treat their cattle as extended family and they are nurtured with much love and care. However the second part is not entirely true. There are miscreants who do put the animals through enough torture during the training and the Jallikattu event. Bulls are poked with sharp objects, fed alcohol, their tails pulled and a lot more is done to keep the bulls provoked and aggressive enough for the event. But is that reason enough for a ban? In my opinion, NO. The Supreme Court can surely call for more regulations and monitors like it did in 2011. While it is the prerogative of the Supreme Court to call for a ban if it deems necessary, in cases like this which also involves cultural elements and invokes strong sentiments among the masses, it is unfortunate that the Supreme Court did not find it important to have an independent committee to review the entire story before issuing a blanket ban.

2.“This is our tradition and this is our pride

Yes it is. But there is a certain amount of hypocrisy here. We do have a lot of other traditional sports which aren’t banned and those have very few takers. For instance, Silambam, Kabadi etc. A lot of our fields have become cricket grounds and that is just the beginning of our own hypocrisy. We have evolved in a lot of ways, so has our tradition.. The worst part of this argument is the projection that this is ban was meant to humiliate the entire Tamil race. I wonder what the Supreme Court or the PETA can possibly have against the Tamil tradition. The protesters certainly seem to lack reasoning when it comes to this part because it is not only Jallikattu, it is also Rekhla race, it is also Kambala that are banned. So it isn’t really an attempt to tarnish the Tamil tradition.

3.“There is a bigger conspiracy in play to get rid of indigenous breeds of cattle in India. PETA is playing agent to MNCs who would benefit out of destroying the indigenous breeds” 

I have no means to verify this accusation, but it is not too difficult to believe this either. Given our history with MNCs and the way they have exploited us, it is hard to think otherwise. But we did sign up for this when we liberalized our economy. There are independent research organizations who have been instrumental in bringing out this politics and corporate agenda behind the whole story which is one of the most impressive part of the whole struggle. This one I see is the strongest argument in favor of Jallikattu.

The pro- Jallikattu groups also speak about A2 milk being the healthiest and that is advocated as one of the reasons why it is important for us to retain our indigenous breed. Now A1 and A2 are two variants of beta-casein milk protein. In the recent times there has been  heightened awareness about A2 milk being healthier while A1 (which actually is the popular variant) is said to cause health issues. However, a little reading into this whole story makes me believe this is another one of those scams where corporations dupe you into believing something for mere business reasons. I say this because there is no established research that has a conclusive answer to the health impacts of the A1 milk and there is more dirt to dig when it comes to the A2 Corporation. Unfortunately, the Jallikattu supporters seem to have given lesser attention to this detail and are blindly sticking to the A2 milk propaganda.

Also going by the argument, Jallikattu only saves the bulls while the cows still get imported from foreign countries. Then this whole idea of healthy indigenous milk goes for a toss since our cows aren’t indigenous. So while I do acknowledge the conspiracy behind it I am not convinced that Jallikattu is the solution to the problem. One must also take into consideration that this issue is not exclusive to Tamil Nadu. Every Indian state is fighting to save its indigenous breed. So what we do need at the moment is a holistic programme to protect all indigenous breeds across the country

4.”Stopping Jallikattu would mean the bulls lose their importance in farming and will find their way to slaughter houses” 

This is very valid.  These bulls are reared especially for Jallikattu. However how many bulls can Jallikattu save? Is it not true that only the best is retained and the rest are still sent to slaughter houses? What is the life time of a Jallikattu bull? Don’t those bulls too eventually find their way to slaughter houses?

Another part of the argument is that Jallikattu is the traditional way to save these indigenous breeds.I do not deny that native bulls are preferred for Jallikattu thanks to their inherent ferocity. But the truth is Jallikattu is not concerned about indigenous breeds because it has no selection process for the bulls that participate in Jallikattu. All it needs is a ferocious bull. If you find it difficult to believe then you must know that the winner of the 2013 Alanganallur Jallikattu was a mixed breed Jersey Bull.

5.“Farmers lose their livelihood. It is one of the reasons for farmers’ deaths in India” 

While cattle is very much a part of farmers’ livelihood, to argue that farmers die if Jallikattu is stopped is way too exaggerated. The reason being these Jallikattu bulls are not really their primary source of income and their contribution to a farmers’ livelihood is meagre. There are indeed other pressing issues that plague our farmers and those need to be addressed first, failing which we might not live to play Jallikattu.

6.“It is unfair to ban Jallikattu while allowing animals to be used in other places like elephants in temples, dogs in police etc. It is unfair to ban Jallikattu while there is no ban on animal slaughter or beef exports” 

This is one of the most popular argument but I think this is a wrong argument. Jallikattu probably existed even before mankind realized that elephants can be employed in temples and it surely was prevalent long before the idea of Biryani was conceived. So if Jallikattu must continue to exist then it must do so for the right reasons and not depend on other elements. And if the reasons are right, it must continue even if the slaughter houses are shut down forever and Biryani gets banned from the Indian soil.

What does the Anti- Jallikattu groups have to say?

The pro-Jallikattu group has been receiving strong support from the international Tamil community. However there is also a group of non-supporters in Tamil Nadu.  Their strongest reason to not support Jallikattu is that sport has been symbolic of certain castes in Tamil Nadu. Also, the fact that it happens only in few districts and not all over Tamil Nadu makes them object the projection of Jallikattu as a tradition of all Tamilians.  While one cannot deny the existence of shades of castes on some of these events that is not entirely true. Most of the Jallikattu events do bear witness to the communal harmony that exists among the various castes living together in the villages. And the objection with respect to it happening only in few districts doesn’t stand because although it happens only in few places, Jallikattu has always remained inseparable from Pongal celebration. Every Tamil family irrespective of whether or not they participate in Jallikattu, do connect with the festive mood behind Jallikattu.

Another of their concerns is that there are more pressing issues to fight for. The cry over Jallikattu has become a distraction and other important issues have been sidelined for the time being. I echo the same concerns. But as the Jallikattu supporters would say we all hope this protest marks the beginning of a much bigger and radical change.

I do have my disagreements with the Pro-Jallikattu movement.

  • I strongly disagree with the notion that the ban is an attack on the Tamilians. The same treatment was given to Kambala and Rekhla race. So it is indeed a false propaganda to inflate the ego of the masses in support of the movement. Unfortunately that seem to have worked.
  • There has been some serious and subtle seditious propaganda from various sources calling for  separation of Tamil Nadu and insulting the Indian integrity . This part of the protest is anything but ugly. And even uglier is to abuse non-supporters and paint them as anti- Tamils.

I believe Jallikattu is only an excuse and the protest is really about a show of strength calling out to the rulers to pay attention and act. This outburst is not about a mere tradition but about a lot of issues where the people of the state have come to believe that they have been wronged by their governments. This protest is a wake-up call for the governments. Despite my difference in the reasoning with the supporters I must admit it is indeed heartening to see the crowd trying to protest peacefully. I am glad our youngsters are getting politically enlightened which is important for a healthy democracy. When was the last time we saw a crowd so self-regulated and not too shy to show their places to celebrities who come to these events with their own personal agenda.

I can’t tell for sure if this will do any good to our farmers or if this will help ban PETA or if this will end the dictatorship of MNCs. But the spirit of this uprising is optimistic. No party or politician has been spared and the political leadership has got a taste of what it is like when people decide to shun them.  This issue of Jallikattu ban has been going on for years now and year after year every ruling government had used it for their political advantage.  A responsible government should have called for a detailed discussion into the issue and worked an amicable solution without hurting the sentiments of the mass. It has been more than a decade and little has been done to contain the damage. That is why I am glad that this protest is eventually happening. I can live with the shortcomings of the protest as long as it opens the gates of discussion on the bigger issue and the protest continues to proceed as peaceful as it is now.

The Tamasha of Women Empowerment in India

I don’t remember when was the last time I walked out of a movie feeling so content yet wanting to run back into the hall and experience it all over again. Despite the inconveniences of poor health and a bad choice of seats, the cheers from the audience, the hilarious narration and the inspiring story only left me wanting for more. As the end credit rolled and I walked out with a new found sense of optimism, there indeed were questions lingering all over my head. And I believe the questions that the movie leaves us with are more important than the movie itself.

Continue reading “The Tamasha of Women Empowerment in India”

Bookstalkists @BlrLitFest2016

BookStalkist attended the Bangalore Literature Festival held at the Royal Orchid Hotel. There were some hard choices to be made as at any point of time 3 sessions were running in parallel in different corners of the venue. We attended a few sessions and here is what we thought about them. 

Having It All: The New Indian GirlSudha Murty in conversation with Chetan Bhagat.

This session was surprisingly good. Mrs. Sudha Murty is a brilliant conversationalist and Mr. Chetan Bhagat had a lot of new things to say. We only hoped he gets to know the real salary structure of Infosys employees and stops overestimating their lifestyle.

Courage and CommitmentAnuja Chauhan in conversation with Margaret Alva.

This was the session that stood out for us for the eloquence of Margaret Alva. She spoke her heart out on issues ranging from women empowerment to male dominance in Indian politics to the current problems of the Congress party. She had a few interesting stories to tell about our ex-Prime Minister PV Narsimha Rao as well as our current one – Mr. Narendra Modi.

Askew: A Short Biography of BangaloreNaresh Narasimhan, Prakash Belawadi, Prof. KE Radhakrishna, and V. Ravichandar with Vasanthi Hariprakash.

This was nostalgia celebration fest where participants reminisced the good old days of Bangalore. While a lot of blame was put on the IT industry for the current chaos in the city, it was perhaps forgotten that each of the guests had come to the city from outside in the 1960s. When a point is made that the city was only enough for the population of 1980-82, one wonders what if somebody from the 1940s would say that the city was good enough only for the population of the 1950s. We wonder if there is any end to this debate. In the end, everyone is an immigrant to this planet.

The Theatre Of DemonetizationNarendar Pani, Sanjeev Sanyal, and Shiv Vishvanath with Mihir Sharma.

This was a case of one-upmanship – everyone trying to put the other one down. In this rather superfluous discussion on Demonetization, the moderator came out victorious with his fine sense of humor. So much disconnected were the guests from the topic that Shiv compared the whole initiative to a bad b grade movie(bad sarcasm) and the one speaking for it – Sanjeev, thought that 500 and 1000 ‘dollars’ were banned. This session was nothing more than an exhibition of self obsession.

Literature And The Democratic Imagination: A Discussion of UR Ananthamurthy’s Bara – Prashant Keshavmurthy, Saikat Majumdar, Shankar Ramaswami and Shiv Visvanathan with Chandan Gowda

This was an academic discussion on the story Bara. Written by UR Ananthamurthy in Kannada, the story has been translated to English by Chandan Gowda who played the moderator to the discussion. It started on an insipid note but went on to become one of the most academically intensive sessions. Speakers highlighted different aspects and devices of storytelling in the book. Saikat Majumdar and Shiv Vishwanathan were the highlights of the session. While Saikat stressed on the debate between two schools of philosophy – one which says that you can’t talk about pain unless you have been through it, and the other that says that you standing at a vantage point gives you better clarity of the situation. Shiv has a habit of putting his co-panelists down and he didn’t fail to do so here either. This is unfortunate since he makes very cogent points to put across his ideas. He stressed on why sometimes misreading a book was important and cited examples of students who thought the book was about the JNU controversy.

Mukhamukham: Face To Face With AdoorAmrit Gangar in conversation with Adoor Gopalakrishnan

This was according to me an ill treatment of the guest. Amrit Gangar didn’t show any patience to listen to his answers. We believe that it is anyone’s good fortune to get a chance to speak with such legends. The host interrupted and cut Adoor short on more than one occasion. On the the other hand, the guest was an idol of grace, patience, and experience.  There was a lot to learn from this session. The battle-hardened Adoor had a lot of stories to tell. One of them was how his crew used to spend all the money from one movie on another movie and in effect, never had any money to market the movies.

The Many Roles We PlayAshok Chopra in conversation with Ashish Vidyarthi

We don’t want to write about this session. We admire Ashish as an actor but what we saw in the session was an attempt by an actor turned trainer marketing himself.

Standing On An Apple BoxPremila Paul in conversation with Aishwaryaa Rajnikanth Dhanush

We would lament the fact that most of the questions coming in to Aishwaryaa was about either her husband or her father. This, despite her having released her book – Standing On Apple Box.

What’s Cooking? The Future Of Indian FoodAntoine Lewis, Manu Chandra and Sanjeev Kapoor with Suresh Hinduja

A brilliant session where panelists discussed the millets movement, the myth of authentic recipe, recipe codification et al. Sanjeev Kapoor is a brilliant conversationalist and it was a treat to hear him speak.

Rajiv Gandhi: Chronicle Of A Death ForetoldJosy Joseph in conversation with Neena Gopal

This was one of the most interesting sessions of the festival where Neena Gopal kept the audience hooked with her insights into the Rajiv Gandhi assassination case. Neena Gopal happens to be the last person to interview Mr. Gandhi and has recently released her book The Assassination of Rajiv Gandhi on the subject. She argues that the assassination of Mr. Gandhi could have been prevented and there was complicity at every level. This was an intriguing session and people were their attentive best.

Unending Sea Of Stories MS Sriram in conversation with S Diwakar

MS Sriram and S Diwakar, both are on our To Be Read list now. It was an informative session where guest and the host spoke about why they had taken to short stories, the devices used, and how short stories more often than not cater to societal issues.

India: Reclaiming Our Civilization’s HeritageT. V. Mohandas Pai in conversation with Rajiv Malhotra

Mr. Rajiv Malhotra is star wherever he goes. That’s because he knows his subject well and doesn’t care about political correctness. This session stood out because TV Mohandas Pai has his own enticing style of making a conversation. They appeared more as a pair of batsmen on the pitch. Rajiv was taking the strike and Mr. Pai was standing on the non-striker’s end. They had a common enemy, the so called left liberal intelligentsia of the country. Anecdotes of Mr. Rajiv Malhotra being censored and uninvited because of his political incorrectness were amusing on one hand but also worrying on the other.

Anything But Khamosh!Ajay Mago and Bharathi Pradhan in conversation with Shatrughan Sinha

Our first reaction was – Shatrughan Sinha! Why? Then we realized that his biography ‘Anything but Khamosh’ was recently released and the book’s author Bharathi Pradhan was one of the moderators. Although we could not figure out what value Shatrughan Sinha brought to a literature festival, one could not but agree that he is a thorough entertainer. His sense of humor, comic timings, the famous dialogues from his movies, the occasional shayaris and mimicry of yesteryear stars Ajit and Rajkumar kept the evening alive. Mr. Sinha deftly avoided controversial questions regarding his party, politics and Mr. Bachchan.

 

Raat Ke MusafirPiyush Mishra in concert

One of the most awaited events and especially when you get to watch Piyush Mishra perform from the first row, you can barely hide your excitement. He was one of the most interactive guests in the festival and performed his songs one after the other. While the crowd kept chanting Husna, he insisted to wait and kept Husna for the end. He also read a few poems of his. The evening couldn’t have concluded better. The audio issues during his performance did seem to disturb his plane of thoughts but his first loyalty lied with the enthusiastic crowd and hence he picked himself up every time and went ahead with the performance.

 
The festival covered history, politics, geography, biography, popular fiction, erotica, food, travel, evangelism, human rights and a lot more. As much as one might appreciate the range of subjects chosen for discussion, one might also get disappointed with the choice of panelists for those subjects. Except for a few sessions like the ones of Margaret Alva with Anuja Chauhan, Rajiv Malhotra with Mohandas Pai and a couple of other sessions, most of them seemed superfluous. What the fest achieved in variety, it lost in depth. Sometimes the panelists were not impressive and at times the moderators couldn’t get the best out of even veterans like Adoor Gopalakrishnan.

One trouble that probably people faced predominantly was the unavailability of food and drinking water. Although there were food stalls, the prices were not reasonable and the options not very healthy given that there were children too at the venue.  Despite certain inadequacies, the Bangalore Literature Festival was indeed a thorough celebration of literature and literature enthusiasts will always look forward to the event in the coming years as well.

 

तैमूर-Timur-Lang-Langda Tyagi और नाम में क्या रक्खा है?

लंगड़ा त्यागी ने अपने लड़के का नाम तैमूर रखा है। इस से ट्विट्टर वालों का मुंह फूल गया है। गुस्से की वजह है – तैमूर का मतलब होता है लोहा। कोई अपने बच्चे का नाम लोहा कैसे रख सकता है? लोहा अली खान पटौडी – कैसा अटपट नाम रख दिया है! जब चाँदी, सोना जैसे नाम उपलब्ध थे, तो ये लोहा क्या सोच कर रख दिया ?

खैर छोड़िये, तकलीफ सिर्फ इस बात की है कि नाम का मतलब तो सबने समझ लिया पर किसी ने तैमूर लंग को याद नहीं किया। ऐसा भी तो हो सकता है कि सैफ को वो तानाशाह इतने पसंद हैं कि बेटे को भी कुछ उसी मुकाम पर देखना चाहते हों! क्यों? नहीं हो सकता है? हाँ, पर ट्विटर नागरिकों को ये बात कौन समझाए?

अब नामों की बात चली है तो नामों की ही बात करते हैं। मेरे भाई की क्लास में एक बच्चे का नाम था सद्दाम हुसैन। न न, रुकिए। इस से पहले की आप उसके माँ बाप को इराक भेज दें, मैं बता दूं कि जब इस सद्दाम का जन्म हुआ था तब इराक में जैविक या बायोलॉजिकल अस्त्र बनने शुरू नहीं हुए थे। हाँ, मगर आप ये कहते हैं कि जब अमरीका ने हम सबको सूचना दे दी कि ऐसे अस्त्र वहाँ मिल रहे हैं, तो इस सद्दाम के अब्बाजी को बच्चे का नाम बदल देना चाहिए था। जॉर्ज बुश अच्छा नाम होता।

नाम का खेल बहुत गहरा होता है। मेरे पड़ोस के मोहल्ले में एक अंकल ने अपने चार बच्चों का नाम – बनावन राम, बसावन राम, बिगारन राम और घिनावन राम रख दिया। सृष्टि, स्थिति, और प्रलय तीनो विभाग अपने परिवार में ही रख लिए। जैसे आज ट्विटर हँसता है, तब मोहल्ले हँसा करते थे। सो हमारे मोहल्ले ने ठहाके लगाए। बनावन राम और बसावन की शादी हो गयी है । बिगारन और घिनावन के लिए कोई बिगड़ी रानी और घिनौनी नारी मिले तो मुझे बताइएगा।

हमारे दूधवाले का नाम दुखलाल था। ये हमेशा दुःख में लाल पीला होता था। एक दिन वो काफी दुखी हो गया। फिर उसके दोस्त टोनी ने उसे अपना नाम बदलने को कहा। अब उसका नाम सुखलाल हो गया है। अब वो हमेशा खुश रहता है। मेरा बचपन बोकारो जिला के अंतर्गत कथारा नामक स्थान में गुज़रा। जगह बहुत विकसित नहीं है। कोलफील्ड है, जन्म से पहले ही बच्चे काले हो जाते हैं। जगह की दुर्दशा देखकर कुछ सड़कछाप दार्शनिकों ने नाम को बदलकर खटारा रख दिया। नाम बदलते ही हालात बद से बदतर हो गए और गुमला जिले ने कथारा पर परमाणु बम गिरा दिया।

डाकू मंगल सिंह का नाम बड़े अरमानों के साथ मंगल रखा गया। अपने नाम से प्रभावित होकर उसने लोगों में इतना धन बाँटा कि अब उसका नाम लोग दानवीर कर्ण रखने की सोच रहे हैं। इसी प्रकार शत्रुघ्न सिन्हा भाजपा के रामायण में आदतन अदृश्य हैं। अरविन्द केजरीवाल महर्षि अरविन्द घोष की अपूर्ण राजनैतिक यात्रा को पूरा करने आये हैं। कपिल सिबल ज़ीरो लॉस का सांख्य देने वाले महर्षि कपिल हैं, भाजपा के एम.जे. अकबर बाबरी मस्जिद का बदला लेने आये पोते हैं, अखिलेश यादव अयोध्या मसले का हल निकालने दोबारा जन्मे भगवान राम हैं, राहुल गांधी गौतम बुद्ध के लड़के हैं और नरेंद्र मोदी स्वयं स्वामी विवेकानंद हैं।

विजय माल्या बैकों पर विजय प्राप्त कर अपने देश से आज़ाद हो गए हैं, और मेक इन इंडिया को आईसिस वालों ने सही समझ लिया है। ५०० और १००० के दानवटाइज़ेशन में रिज़र्व बैंक हर रोज़ अपने रिज़र्व होने का एक नया प्रमाण दे रहा है और ऑटोमेटेड टेलर मशीन से आटोमेटिक पैसे निकल रहे हैं। वहीँ काले धन ने फेयर एंड लवली स्कीम को ठुकरा दिया है।

आप भी सोच रहे होंगे कि इस लड़के ने पी रक्खी है क्या! इतनी रात गए क्या बकवास कर रहा है। नहीं, मेरा नाम अभिषेक है। मैं पीता नहीं हूँ। मैं सुबह से शाम तक मंदिर में बैठकर नारायण मूर्ति को तिलक लगाता हूँ। वैसे ट्विटर वालों ने ऐसा हंगामा मेरे नामकरण के वक़्त किया होता तो आज हर चौराहे पर एक अभिषेक माथे पर तिलक लगा कर खड़ा न मिलता। अमिताभ बच्चन के बेटे का नाम भी शायद अभिनय बच्चन होता।

#लोल।

Insulting the Quran!

While browsing through the books on my bookshelf last night, ‘The Quran’ published by the Salaam Centre, Bangalore landed in my hands. I believe that each book that we buy or read gets a memory shot tagged to it. When we come back to pick those books again in distant future, we invariably travel time. Same happened with this book. I had to travel only a year back – 2015, Bangalore Book Festival at Palace Grounds. One incredible experience that I had thought of penning down and for some reason, completely forgot; it has come to this day that I write about it.

Continue reading “Insulting the Quran!”