Tag: #blrlitfest2017

Separated at Birth – India & Pakistan at 70

Abhishek JhaLeave a comment

The realization of true ramifications of the partition of India would be perhaps an ever-developing phenomenon and the people of the divided regions would have to look back at the tragic beginnings of the process every once in awhile. When we stand at a distance of about 70 years from the partition, it would serve us well to look back and measure our progress in all the years in between then and now. The session ‘Separated at Birth – India & Pakistan at 70’ was aimed at such an introspection and a measured reflection of the ever vacillating fortunes of the two countries.

Journalist and filmmaker Adrian Levy, Lt. General Kamal Davar who has written ‘Tryst With Perfidy – Pakistan and its Deep State’, Former IFS officer and Indian High Commissioner to Pakistan (2013-15) TCA Raghavan, and feminist publisher and writer who has authored ‘Borders & Boundaries: Women in India’s Partition’ formed the panel with Nitin Pai, the co-founder and director of the Takshashila Institution playing the moderator. Nitin Pai brought in Bangladesh too to the equation and asked Raghavan about what Pakistan got right in the last 70 years. Raghavan began by explaining how the partition was an event that affected not only India and Pakistan but there were about three to four more partitions that took place at the same time. With India and Pakistan, Punjab was divided and also Bengal was divided. The Pathans were divided by the Durand line between Pakistan and Afghanistan. Apart from these, the Muslim community itself got divided. This partition did cast a shadow that continues to live till today. Coming to the question of what Pakistan had done right, Raghavan quoted a South Korean Ambassador who once told him that he envied our relationship with Pakistan pertaining to the shared lifestyle and choices. This was because we are doing just fine when compared to South Korea – North Korea. Pakistan and India also worked together on the complex issue of the Indus water sharing.

Pai asked Davar if the Indian army had an admiration for the Pakistani army. Davar admitted that both the armies shared a common root and hence there is a sense of admiration but the attitude from the other side had been myopic and they have harboured a pathological and obsessive hatred towards India. In the same breath, he also appealed to all the political parties that when it came to the issues of national security, they must not politicize them.

At this point, Ritu was invited to bring in the Bangladesh angle by the moderator. Ritu said that she was essentially a partition family and life had become a before and post-partition phenomenon in her growing up years. “The partition was being lived by the divided families and not by the army or the government.”, said Ritu. Ritu explained that she had started studying the partition from all the three perspectives of India, Pakistan, and Bangladesh and found out that the partition study was essentially a preoccupation of the Indians. While Pakistan developed a new nation narrative and Bangladesh developed a revolution centric narrative, they never had a desire to look back at partition. Ritu lamented the absence of any kind of historiography of Pakistan and Bangladesh partition. For her, the partition has remained an unfinished business for all the three countries. “Even for the partition of Bengal in 1905 and 1911, no one really knows anything.”, added Ritu.

Adrian joined the discussion from a traveller’s perspective. Since he has travelled extensively on both sides of the border and has not been tainted by diplomacy, he has seen a struggle for democracy in both the countries. He spoke of successive failures of democracy in Pakistan, Nawaz Sharif’s ouster being the latest, and how this was a bad thing for India. On a euphemistic tone, Adrian told the audience that Imran Khan who calls himself a crusader for freedom of speech and democratic values, owns the largest residential property in the protected green belt of Islamabad and the wastewater from his wash dumps into the reservoir that supplies water to the city implying that Imran Khan was perhaps doing the same to the country. Adrian also spoke about the role of China and Iran in the equation.

While Dawar admitted being an unabashed admirer of Indira Gandhi for her role in one of the most crucial victories of the Indian military, Raghavan said that leaders like Indira Gandhi or Bhutto in Pakistan had a deeply divided legacy. However, it was also true that the democratic institutions of India have always set a benchmark for the neighbouring countries.

The panellists mutually agreed that India has at times exaggerated its role in Pakistan and Bangladesh. Raghavan said, “Pakistan has 200 million people and is nuclear-armed. What India can do to foster democracy in Pakistan is a superficial question. It is for the people of Pakistan to do it. All we can do is play immediate neighbours.”

Mrs. Funnybones

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“Twinkle Twinkle little star
I am going to hit you with a car.”

Yes, Twinkle Khanna did say that, very eloquently in fact. To an unfortunate man in the audience who drew her ire by cracking jokes on her name, she responded in her funny fashion (no pun intended). Welcome to the session reigned by Mrs. Funnybones. The one takeaway from this session was that Twinkle Khanna is funny not only in her name, Funnybones (not Twinkle, please note) but also in her persona. Oh, I almost forgot to mention that she also agreed to endorse an audience’s book on Motherhood. We hope you haven’t forgotten it, Twinkle Khanna, because we haven’t.

Twinkle Khanna’s Legend of Lakshmi Prasad won the popular choice award for the best book that was given by Atta Galatta. Her acceptance speech highlighted how this award might go a long way in allaying the guilt that every mother has when they devote even a nanosecond to any pursuit other than family. Her guilt and her wish for multiple hands were actually one that helped to see her as a woman like any of us. It also led me to think that maybe the reason why some Indian Goddess have multiple hands is that like Twinkle they might have needed it to sauté the chicken with one hand, feed the children with one hand, and pour the gin to their husband by another.

During the session, Darius Sunawala was ever ready with his wittiest questions to draw out her humorous self. I particularly liked her honesty when she said the primary reason she will always treasure this award given by Atta Galatta is that she got it after beating 5 other popular male authors. She also later clarified that she would love to be known primarily as an author, not just as a ‘female’ author. This shows how the issue of the label is something that even an empowered women like her struggle to shed every day.

Her anecdotes about her family were well appreciated by the audience. She narrated how she used to write poetry on madness when she was a child, which her mother has blissfully forgotten now and romanticizes it by saying that Twinkle used to write poetry on mangoes, not madness. In another instance in her speech, Twinkle narrated what happened when she scored 97 in mathematics. Her mother responded to it by saying that her marks now match her weight. All these anecdotes did seem funny at first, but when I reflect on them, they seem a little sad. However, her other lines like ‘equality was a right with which she grew up and not a privilege’, sheds another light on her. She herself admitted that it was only when she was 35 that it dawned on her that not all women see equality as a right.

The session always showed a facet of her that most audiences did not know. It is a widely known fact that Twinkle Khanna herself did not like her acting. How much she disliked the same became clear when someone from the audience complimented her on her acting skills. Twinkle Khanna adamantly refused. It was actually very funny when they went back and forth, the person in the audience refusing to admit that Twinkle is a bad actress and Twinkle Khanna not backing out in her attempt to make that fact clear. However, when Twinkle Khanna admitted that she started acting because it was the easiest way to ease the burden on her mother, all of us in the audience finally understood her.

Her views on BJP regime is not something that we are unaware of. When asked about where she gets her sense of humour, Twinkle replied that she got it from her Gujarati grandfather. She was quick to add that Gujaratis actually have a sense of humour, which people might not believe looking at the BJP there. At another point in the session when prodded by Darius Sunawala to comment on the state of the present government, Twinkle’s reply was that if Asian Paint launches new paints according to seasons, then in this season orange would be the new black!

The session saw a large audience, even sitting down or standing sandwiched between people. I even had to brave the crowd pushing me north, east, and west while I was running to attend her session. The main reason people and I love her is because she refuses to play safe. In a country where writers are silenced just for speaking up, I hope she triumphs. In that triumph, many more writers will take birth. That’s the beauty an empowered woman writer can bring about.

About the Author: Vibhuthi Viswanathan is a Potterhead and chocoholic.Curling up with the ‘Balabhumi’ and spinning out tales from its illustrations to her little brother was her first interactions with a book. Although she has moved on from good old BalaBhumi, she still hasn’t stopped twirling words and pauses. She currently writes for Bookstalkist.

Aadhaar – Dystopia or Utopia

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The title can be simplified to ask if Aadhaar is slavery or not but this is not how our moderator Charles Assisi decided to put the topic into discussion, he said that when Henry Ford created a motorcar, the pertinent question was ‘do you create a motorcar first or do you create roads first?’.

Mr.Jairam Ramesh, former Minister of Rural Development, answered directly and said that he was part of the team which initially conceptualised Aadhaar. It was basically used to establish one’s identity. This meant Aadhaar’s work was limited to only tell you who you were and not to tell you what benefits you were entitled to. It was a technological tool to help government cut out duplication but everything changed after 2014 (when BJP came into power) to which the moderator questioned his pro-aadhaar stand in 2009 and Jairam Ramesh explained it as a beginning and not as a solution to solve exclusion errors of government schemes. To quote him “I believed in a different Aadhaar which was Aadhaar 1.0’’.

Commenting on the technology behind Aadhaar, Mr.Arun Maira who was closely linked with the issue, initially said that Aadhaar is a fine technology and like any other technology, this too had its own loopholes and if one looks at the global picture everyone is facing the backlashes of technology. Privacy of data needs to be given its due importance and all the countries are suffering and trying to come up with regulations for it. Jairam Ramesh responded to this saying that in 2010, a bill came in the parliament which asked to govern the use of Aadhaar but it was rejected lock, stock, and barrel. Had this bill been into the picture then, much of the atrocities which are happening currently could have been avoided. Sanjay Jain, who was the Director of this program said about the  technology that it was very flexible when it was implemented. This meant any old person was exempted and given Aadhaar card if the person’s fingerprints are not identifiable. But as in India things get lost in translation from source to beneficiaries, this same happened for Aadhaar. Thus, this issue is not a conflict of purpose but of execution of multiple complex data.

Jairam Ramesh ended by presenting two oppositions to Aadhaar, the first was the larger exclusion done by Aadhaar and secondly the expansion of Aadhaar to large number of areas without consent. His advice then to those in power is to not oversell Aadhaar but rather try to take a precautionary approach to the matter. One can identify sitting in a minister’s session if there are theatrical bits involved. In this session, Ramesh tried to bring consensus against Aadhaar by voting through raising of hands.

About the Author – Kalpita is a Bachelor in English Literature. Her ultimate goal is to fulfill the romantic notion of changing the world for better and she is pursuing MA in Development from Azim Premji University, Bangalore. She currently writes for Bookstalkist.

Literary Fiction – An Endangered Species?

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The evening session started with Italo Calvino’s words for classics ‘books that are treasured by the readers who loved it and also for the first first time readers, those books are classics.’ Imraan Coovadia asked about the relevance of classics to all the three writers who were from very different backgrounds –  one writer Lu Jingjie was from China whereas Rajorshi Chakraborti is an Indian writer living in New Zealand, and we had Ambai, a senior writer from Tamil Nadu.

Continue reading “Literary Fiction – An Endangered Species?” →

Tailing Veerappan

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“Veerappan was a bloated figure. He was too blown up like a balloon and had to be punctured”, says Vijaykumar who was Chief of the Special Task Force (STF) that was behind the encounter of the dreaded bandit Veerappan during Operation Cocoon in 2004. Vijaykumar has written a book titled ‘Veerappan: Chasing the Brigand’ where he talks in detail about the hunt for Veerappan. Kanwaljit Deol, another IPS officer talks to Vijaykumar about the book and Operation Cocoon in a session titled, ‘Tailing Veerappan’. Continue reading “Tailing Veerappan” →

Lanka’s Princess, Vamp or Winner?

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“Without Shurpanakha, there would be no Ramayana, don’t you think?” asked Kavita Kane. “There wouldn’t have been a war if Shurpanakha hadn’t met Ram and Lakshman in the forest. She’s the main trigger of the entire series of events in Ramayana. Yet, there is so little we know about her!” lamented Kavitha.

The female novelist, who recreated the entire story of Ramayana keeping Shurpanakha as the main character and the focus of all the attention, attended the final day of Bangalore Literature Festival and shared some of her thoughts on the character as well as the book.

The author spoke about her purpose and motivation behind choosing Shurpanakha as the focal point of this epic. The author believes that, if we see Shurpanakha as a vamp then we would judge her in a negative way. “Why do we have to do that?” she asks. If we start seeing her as a victim, somebody who suffered from extreme physical violence, then the paradigm shifts in favour of her. When we change perspectives, Shurpanakha becomes an entirely different person.

Breaking the stereotype is the key, mentions Kavitha. We have a choice of not always imagining Shurpanakha as a negative character by simply justifying her motivations and subsequent actions. Attraction is a human phenomenon and we, as considerate people, can make way for that phenomenon and simply accept that Shurpanakha was attracted to Ram. There should not be anything so wrong, that her nose had to be cut-off. Of course, Lakshman cut her nose when she tried to attack Sita. But the author maintained that, though Shurpanakha did make a mistake, in reality, it is very common for any human to make such a mistake.

If the characters portrayed in mythology are shown with all of their traits and if all shades of their personalities are shown, then it is much easier to forgive Shurpanakha for what mistakes she had committed and the world as it is today – filled with eternal prejudice, bias and discrimination against a woman who had committed a simple human error – is something the author wishes to change.

Kavitha goes on to elaborate that, evil has no gender and no colour. Darkness cannot be stereotyped into evil and fairness cannot be stereotyped into the divine. In the same light, the mere name Shurpanakha should not be stereotyped into something pure evil. Breaking perceptions and getting rid of norms and stereotypes is all this book is about, said Kavitha.

The author went on to say that, even though Shurpanakha is a fictional character, we can still draw parallels with real life. But for the audience to believe in a work of fiction, the author cannot simply use her figment of imagination and create a character so different that the audience cannot relate to. The author indeed has to research and the portrayal of any fictional character is made, to a lot of extents, to fit the societal expectations of the reader. Balancing facts with fiction is the true challenge when it comes to writing mythology inspired novels, she concluded.

About the Author: Soumik Seth is an avid follower of music, current affairs, stock market, economy, and filmography. He currently writes for Bookstalkist.

Writing for Children – Contemporary Issues Vs Traditional Stories

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‘With every book I am pushing the line, thinking how much can I get away with’, said Ranjit Lal, an author who addresses even the not so pleasant topics in Children’s literature. Th session ‘Writing for Children’ saw two of our favourite authors on that genre having a cordial and warm discussion on the Children’s literature. Reena Puri and Ranjit Lal argued for traditional themes vs the contemporary themes in Children’s literature. The session seemed almost like storytelling episode. Their well-modulated voices and hand gestures might have reminded more than a few in the audience of their favourite English teachers.

Sudeshna Shome was the moderator of the session. She knew how to ask the questions that can elicit replies that might long live for the session. To all of you who thinks Children’s literature is not significant enough to discuss, let me remind you of the vocabulary, the morals, the adventure and imagination that only a book can give to a child. I will also add patience to the list as I have seen my little brother sit still only when he had a Balbhumi during his toddler days.

Ranjit Lal whose books are based on contemporary themes confessed how he can’t write on traditional themes as it is a field that he has zero knowledge on. Everyday concern and evils that children need to be educated on are taken up by Ranjit Lal. For instance, one of his books deals with grandchildren learning to cope up with their Grandfather’s amnesia. His books are also noted for the female/ girl centrism. In his book, it is always the girl who guides the boy. He admitted in the session with a grin that it might be the result of growing up between two sisters.

Reena Puri, editor of Amar Chitra Katha emphasised on traditional themes in Children’s literature. She spoke how myth and tradition are used to educate the children on their rich culture. Reena Puri also spoke of their collective attempts to tailor myths and tradition to the present needs in Children’s literature. The westernisation that has happened even in Children’s literature was something both the authors agreed on. Ranjit Lal recounted an incident when he was asked to judge a children’s short story competition. He found to his dismay that all their characters had names like Jack or Jill.

The session also saw Ranjit Lal explaining the absence of parent or adult figures in his stories. They interfere too much. I put them in a hospital or something, he replied to the audience and I am charmed.

About the Author: Vibhuthi Viswanathan is a Potterhead and chocoholic.Curling up with the ‘Balabhumi’ and spinning out tales from its illustrations to her little brother was her first interactions with a book. Although she has moved on from good old BalaBhumi, she still hasn’t stopped twirling words and pauses. She currently writes for Bookstalkist.

Nature and the City

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Journalist Dhanya Rajendran moderated a discussion with Jairam Ramesh, Member of Parliament and Harini Nagendra, Professor of Sustainability, Azim Premji University. The session was titled ‘Nature and the City ‘ and the discussion was focused around two books – Jairam’s ‘A life in Nature’ and Harini’s ‘Nature in the City: Bengaluru in the Past, Present, and Future’. Continue reading “Nature and the City” →

Border Tales

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When a national security expert, a journalist, and a feminist come together to discuss their perspectives on Borders, you can expect some uncensored truths. The session, ‘Border Tales’ saw Bishwanath Ghosh and General Kamal Davar putting across their perspectives on Borders. Ritu Menon was there to moderate the discussion and honestly, the word shuttle she played with Kamal Davar was the much-needed light in the discussion. Continue reading “Border Tales” →

India and China: How History is a Fickle Mistress

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Author and Journalist, Raghu Karnad quotes journalist James Cameron as he sits down with India’s first woman Foreign Secretary Nirupama Menon Rao to discuss India and China. India and China: How History is a Fickle Mistress – the session could not be more aptly titled given the immense depth of the relationship between India and China. Continue reading “India and China: How History is a Fickle Mistress” →

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