BLF2020 | One Arranged Murder – Chetan Bhagat with Shrabonti Bagchi

This conversation on Chetan’s recent murder mystery started on a light banter between Chetan (who joined virtually from Delhi) and Shrabonti, who, Chetan remarked, has done too many interviews of him; he feels she is his therapist!


From Love Stories to Murder Mysteries

Shrabonti quizzed Chetan on the setting of his book and his transition to writing mysteries. Chetan started by saying that he wrote love stories for 12 years and is now moving into murder. His previous novel, ‘The Girl in Room 105’ was an initial part of the transition. This latest book, ‘One Arranged Murder’, is set in a Punjabi family about a murder that happens on the night of the ‘Karva Chauth’ festival.

How challenging is it to write a murder mystery?

Shrabonti added that alibis must be created, the murderer’s identity should not be given away till the end. Chetan responded that it is a different ballgame to write a good mystery, there is a lot of craft in it. He studies authors such as Agatha Christie and Alfred Hitchcock to get various techniques for use in his stories. To that, he adds in Indian flavors, since readers want to relate to the Indian middle-class context.

Chetan referred to a ‘nerd-like precision’ he aims to bring into his stories; his background in engineering and banking is helping here. Chetan revealed an interesting trivia – that he uses spreadsheets to write! This helps him bring in precise endings.

Shrabonti digged into why Chetan chose this festival as the setting for the murder. Chetan referred to a newspaper article he read about a lady at Gurgaon who was pushed to death from her roof on ‘Karva Chauth’. He also said that a beginning which makes us ask, “How did it even happen?”, “Why did it happen?” forms an amazing start to the story. It sets the stage for an intriguing murder plot.

The ex-banker revealed that he brings in a number into each book title – e.g. ‘2 States’, ‘Revolution 2020’. He considered having ‘Chauth’ (the 4th day of the moon) in this title, however dropped the idea since this festival is not celebrated in all parts of India.

Shrabonti spoke about how protective Indian families are; which makes a family member an unlikely murderer. Chetan replied that it is a façade. He referred to how people put up only happy and good pictures on Instagram; the not-good moments are hidden away.

Chetan added that he aims to give his readers insights into the Indian family system, not just a murder puzzle. Shrabonti commented on how people related his murder plot to Sushant’s case since the book was released around the same time as Sushant’s death.

Chetan clarified that he wrote the book last year; its launch got delayed due to Corona and it so happened that the book’s publicity period was in August when Sushant’s case was in the news. The case was so gripping that he was quizzed on it during every interview and every channel projected only those responses.

He opined that, given the right mystery, India can get gripped; hence he believes he made the right switch from romance to murder.

Shrabonti pondered on whether the obsession with unexplained death is manufactured by media.

Chetan referred to it as ‘drama’ and went to say that drama is what engages people. He expressed his concern that news channels often cross the line while looking for drama to compete for viewers’ attention; “this is dangerous for the country”, he added. He also questioned why viewers should look for drama in the news and said, “this is a reflection of who we are as people”.

His take on ‘Love Jihad’

Chetan said that the term, ‘Love Jihad’, is a terrible term, since currently, ‘Jihad’ is a term that one closely associates with terrorism. He questioned why it was finding resonance among people.

He went on to talk about conversions. He said that conversion should not be done under duress and said, “I don’t know if conversion is a great recipe for harmony”. Chetan stressed on the need to have a proper discussion on conversion between various religions instead of ultra-right or ultra-left debates.

Q&A

The first question from the audience was on his path to transition from romance to murder. Chetan responded that it was a big challenge; a murder plot needs a lot more structure to make the suspense satisfying. The second question dwelt on politics – “Should we discuss politics at home?”. Chetan quipped that WhatsApp groups are the worst place to discuss politics. He explained that most people get emotional and hurt in such conversations, hence it is not wise to discuss political topics on such a forum. He observed that the politicians of opposing parties do not fight; in fact, they wish each other on their birthdays!

About the Author: Usha Ramaswamy craves to get more creative in addition to being an avid reader, traveller, vlogger, marketer of events, mobile photographer. One day, she wants to write a book but for now, she pens her reflections at her blog, talks about her experiences in her YouTube channel Usha’s LENS and puts up photos on Instagram. She is also a software professional and a mother of two. She currently writes for TheSeer.

Accidental Magic

I can’t stop reading it, being a Harry Potter fan”, was the note with which Shrabonti began. The next thirty minutes saw Keshava taking us through his journey from entering the world of Harry Potter to his work, Accidental Magic, that journeys through Boston, Madras and Bangalore.

 

The Beginning

During the summer of 1999, when Keshava was in the 4th standard, he won the 2nd prize in a quiz contest and bought the Lord of the Rings, his first self-bought book from the Premiere book shop. “Ek kitab ko dekha to aisa laga”, was his reaction, which took him on an odyssey starting with Harry Potter and Pottermania. 

Keshava mentioned that he hated being a child and thought that children are defective adults. This led him to discover and sign up for adult Harry Potter communities, which revolved around fan art and a lot of discussions on the relationships between Ron, Harry and Hermione. He was mostly what people refer to as a ‘Lurker’, more interested in what others had to say rather than writing his fandom.

 

His foray into writing started when he had a sense of loneliness as a student in the US. Keshava wanted to write about people. This, along with his Pottermania, resulted in Accidental Magic. The seeds were sown in his childhood, because he grew up in a home full of books and had a lot of freedom to read the genre of his choice.

According to him, calling something a ‘literary fiction’ is a serious crime. One needs to read a book like taking a nice glass of wine, not like taking multivitamins or broccoli!

 

Is the book only for Harry Potter fans?

This was an interesting question that Shrabonti posed. Keshava replied in the negative, saying that Harry Potter fans appreciate the familiarity, whereas the others would appreciate the unfamiliarity, or being able to relate to other aspects such as Boston and Madras.

 

A glimpse into the protagonists

Keshava gave us some insights into two of the characters – Kannan and Curtis, two very different people. Kannan is in his 20s and goes to the US to do his Masters; his family is defined by the absence of love. Curtis is in his 50s and hosts a radio show. Curtis is Keshava’s favourite character, whereas Kannan comes closest to being a ‘protagonist’, having had the highest number of revisions.

 

Three Wishes…

Shrabonti asked Keshava about the genre of books that interest him the most and what would he like to see in young writers. These are the three wishes he put forth:

  1. To see more fiction that seriously engages with India. Keshava listed Arvind Adiga and Arundhati Roy as his favourites. 
  2. Wish young writers would write in the language they think. Keshava felt irked that a lot of writers nowadays sound as though they are trying to emulate someone else in the writing style, which takes away the originality of content. 
  3. Hope to see more writing in the past tense. He referred to youngsters, who, in their thirst for immediacy, write in the present tense – this is often seen as a virtue in social media.

 

Keshava read an excerpt from his book, about the Bangalore that Kannan finds when he returns from the US in order to see a girl from Madras in a matchmaking alliance.

 

 

 

 

About the Author: Usha Ramaswamy craves to get more creative in addition to being an avid reader, traveller, vlogger, marketer of events, mobile photographer. One day, she wants to write a book but for now, she pens her reflections at her blog and puts up photos on instagram. She also works as a software process consultant and is a mother of two. She currently writes for TheSeer.