India’s Freedom, Partition, and the Two Birthdays of Khushwant Singh – A Tribute

The first time I was introduced to the writings of the veteran Khushwant Singh was in the secondary classes of my schooling. The short story that was taught as a chapter of the English text book was ‘The Portrait of a Lady.’ It’s a memoir about his grandmother and her last days with him. Even as a child, I was mesmerized by his nuanced portrayal of his grandmother and her eccentricities. It was indeed like a portrait coming alive in a child’s mind. Well, the association ended with writing answers about the text in the class tests but the fact that I remembered it even after the school days can be ascribed to his way of putting the words together so perfectly that they get etched forever in your mind. They generate a sense of belonging whose essence lingers around for long.

The next time I picked up his book was in my college. My roommate had issued this book whose title was the same as the story I had read in school. I recalled it immediately and seized it from her to taste more of his fascinating stories.

It was while reading these stories; I discovered that his stories remain with you for a long time because they have an element of human emotions and follies amalgamated into a lucid plot full of twists. He is funny and bold. He does not hesitate to say what is difficult to say. For instance, stories like ‘The Rape’ and ‘The Riot’ in the book left me startled and numb for a moment, so did his captivating novel Train to Pakistan. It is yet another tale of partition and its aftermath but told with such appalling episodes and gripping description of the most bloated times of Indian history that it makes a unique space for itself in the Indian literature. The story traces the fate of an otherwise silent village which erupts in the flames of hatred among different religious communities after the arrival of a train full of dead bodies in the wake of partition.  The story shivers you with fear and leaves with pity.

His love for his religion and cities he had lived has frequently seeped into his writings. He wrote two volumes on the history of Sikhs which till date remain the most comprehensive and authoritative books on the Sikhs and the evolution of Sikhism. He had been deeply attached to his birthplace, Hadali situation in Punjab of undivided India, now in Pakistan. After partition, he visited Hadali for three times and after he passed away in March 2014, a portion of his ashes was taken by train to Pakistan and buried there, as described in one of his journals collected in the book Punjab, Punjabiyat and Punjabis. The book is a nostalgic journey to the anecdotes of his life relating to the state of Punjab and its people who had great influence on him. The book starts with a description of the land of Punjab and its beauty in different weathers which teleports you to the land itself. It’s like a vicarious stroll in the fields of Punjab with a light breeze scenting the surroundings with its freshness. He not only wrote about his land and its people but also stood up right as the true son of the soil. His anguish at the storming of the Golden temple by the army during Operation Blue Star was so great that he returned the Padma Bhushan awarded to him by the government.

How much ever one writes about him falls short for what he has given us to chuckle and ponder upon. He was among India’s best-known and most widely read author and an acclaimed journalist. He published six novels among other works. The book, Delhi: A Novel, his magnum opus sold its first edition even before the copy was available in the stores. The novel weaves the city of Delhi and its life over 600 years into his bold and bawdy imaginary characters bound in love, lust, violence, and vendetta.

There is no dearth of his work even if one commits to read all. He has been a treasure house of stories and anecdotes. I cannot end this without sharing an interesting anecdote from his book Punjab, Punjabiyat and Punjabis. His parents forgot to make a note of his birth date and years later, when his father was filling his school form in Delhi, he put his birthday as February 2nd, 1915 out of imagination. Further, he writes-“Several years later, my grandmother told me that I was born in badroo (roughly in August by Gregorian calendar). I decided to fix it in the middle of the month, to 15 August 1915, and made myself a Leo. Thirty two years later, in 1947, 15 August became the birthday of independent India.” So unknowingly, he even contributed to the diary of coincidences. He indeed deserves two birthdays!

Wishing the master storyteller and a man full of life and laughter a very Happy Birthday. Shall wish him again in August too!

Reading Divya Prakash Dubey and His Stories That Live Next-Door

Having studied in an English medium school and brought up in a household with Hindi as the native language, I have always been confused when to use one particular language, like I am right now, as I am writing this. Though I would be talking about a very well-known Hindi author who rekindled the Hindi fiction reading among the youth (yours truly falls in the same bracket), I am more comfortable in expressing my thoughts in English when it comes to a formal delivery like writing an article or a speech or even a facebook post. Why so?

Cut to eight years back, I was attending a Hindi lecture in my initial days of college. It was my first class in language for that semester. The teacher entered and said, “All this while you must be talking to each other in English- the introductions, the orientations, and even a friendly chit chat. What if your school friend who you have been knowing for so many years was a part of your batch in college? What language would you use?” The class unanimously answered their own native language which in my case was Hindi.

Talking in your mother tongue generates a sense of bonding while every other language remains a formal language – a language for work and career. Still when I ask a lot of my friends that while you would watch movies in Hindi and go crazy on the songs and slangs used, why don’t you read Hindi fiction then? Most of them answer, “Hindi upar se jaati hai!” (It’s a bit difficult to read Hindi!) The major reason behind their hesitation to pick up a Hindi novel is the stark difference between the Hindi they use to communicate in everyday life and the one used in literature.

Breaking this tradition, Divya Prakash Dubey ventured into the world of storytelling in the language of youth, a colloquial language that anybody could relate to; which he fondly calls ‘Nayi wali Hindi’.

His first two books namely Terms and conditions Apply and Masala Chai, a collection of short stories became instant hit and were bestsellers and still continue to be read widely. As he himself asserts in the introduction of the book Masala Chai, these stories are like talks on the tea table, easy to say and lovely to hear. The stories are from our own world, our next door. These tales range from college life to job scenarios, from small town to the hustle of metro cities, vividly bringing out the emotions of the characters.

Next was the most loved Musafir Cafe, his first novel catching up on modern day love and its conundrum. The main characters Sudha and Chandar find each other in the fast paced life of Mumbai and fall in love but there is more to add for a perfect life – their own wish list which will come at the cost of their love. Some of the lines will stay with you to keep reminding you to seek answers to the dilemma of your own life. DP has brought a fresh wave of Hindi fiction with contemporary stories having profound and palatable prose.

His second novel, October Junction is again about a young ambitious couple, a millionaire boy and a successful writer who in a race of fame and money find it difficult to converge their path of love but meet on 10th of October every year for 10 years in a hope to live a life they had planned when they were young.

DP is not just an author but also an on-stage storyteller with a knack for catching the audience’s attention with his presentation of plot. Recently, Audible has posted his story series Piya Milan Chowk where one can listen to the narration of the stories by the author himself.

“Hindi is cool, yaar!” is his style statement and he has delivered TEDx Talks in Hindi, paving way for many who wanted to talk in Hindi. He has been an eminent face at literature festivals reaching out to readers in person and inspiring many to read and write in Hindi. He has been generously sharing his journey about writing and publishing on his blog http://divyaprakash.in/ giving out useful insights into the writing world. Sunday Wali Chitthi is one of my favorite sections where he talks about life and living in general.

Ibnebatuti, fifth in the row is his latest book. It’s a story about a single mother hopping in her past to reinvent her future. A difficult to digest truth is presented with a fast moving flavored plot. It is a necessary story to be told where his readership is not just the city dwelling people but the youngsters residing in the hinterland trying to bring about a change around the perceived notion about a middle-aged single lady. This book starts a conversation around a much hushed topic through a lighter take. With a badge of ‘Lakhprati Lekhak‘ (sold over a lakh copies), DP has certainly been successful in bringing up a change in the readership for Hindi fiction.

Abdullah Khan’s Debut Novel Patna Blues Is More Than Just a Political Statement

In India, we attach a plethora of stereotypes to one’s identity. Judging the person by his/her name, religion and home-state is a common practice. Some words like Bihari, Momdan, Chinky, Madrasi among others are used loosely and are often meant to be derogatory. Abdullah Khan in his debut novel Patna Blues traces the life of one such identity which is both a Bihari and a Muslim. The book talks about the desire, dreams, and destiny of a young boy Arif Khan based in Patna. Arif khan in his early 20s preparing to be an Indian Administration Officer, falls in love with a married Hindu woman much older than him. With so much to handle in a large family of three younger sisters and a brother, his miseries increase with this sweet distraction. He consistently finds himself at the crossroads- struggling to choose between his dreams and desire.

The book is a page turner with a lot of drama unfolding with each chapter, line by line. It is set up in early 80s spanning over 20 years against the backdrop of political events of the time. The political events are so intricately woven and meticulously placed in the story that for a moment you forget that it was a reality of a time- The times of VCR, PCOs, Mandal commission, fall of Babri Masjid, 1993 Mumbai attacks, Bihar’s Chara Ghotala, and many more.

The book does not sympathize with the struggles the identity brings him rather makes a strong point on what is and what ought to be. It smoothly ventures into the life of his family members and their aspirations. Many a time, it cuts open the wounds to show bare the prejudices of a majority of society towards a few. Arif’s father, a police officer in Patna is not handed over confidential documents just because of his religion despite his clean records. Younger brother, an aspiring actor faces mockery and rejection owing to his accent despite being talented. The family has to deal with the pressure of ill practices and beliefs of society like arranging dowry for his sisters. However, the author does not delve much into the lives of sisters and they are just to add more ‘blues’ to their life and story. Their portrayal is typical- with suppressed dreams and forced acceptance for their destiny- with everything culminating into marriage.

The book is not at all about making a political statement but shows the effort of a Muslim family to live a comfortable and respectful life despite all odds. Intermittently, the story line is showered with Urdu shayari and old Bollywood song lines which make it refreshing. The story written in simple words is entertaining. It also captures the popular places of Patna like Gandhi Maidan, Dak bunglow Square making it vivid and close to reality. This story of love, aspiration, failure, and grief travels places from Patna to the interiors of Bihar, to some of the metro cities and captures the sentiments of society about one’s identity.

Pick the book for a journey back in time, for a journey from expectations to reality, dreams to destiny, and above all from grief to hope. You can buy the book here.

Beat the Noise of Negativity, Plug Into These Happy Books to Stay Motivated

“Your book is dispatched and would be delivered soon. Happy Reading!” would read an automated mail from the E-commerce company when you order a book. “Happy Reading” says the cashier at the book store, the librarian, even the book marks. You pick up the book; you are intrigued, puzzled, sad, angry or frustrated but happy. When I say happy, I mean the story takes you into a free, lighter world, away from the vicissitudes of life for a while, leaving a smile at the end of it. How about a few reads that to pick before going to bed that calm your mind and take you away from the constant blue light of your mobile/laptop screen while you are gorging on the latest comedy clips on YouTube in a constant effort to keep away the day’s blues? Here are a few recommendations to keep you happy and motivated.

Ruskin Bond-The Room on the Roof
The Room on the Roof | Ruskin Bond

ROOM ON THE ROOF | RUSKIN BOND

The novel takes you in the world of four adolescent friends and their adventures. Set up in a hilly Indian town, the story is all about friendship, love, and longing. Written in simple language, it’s an apt read for young adults; but it would do no harm to grownups if they read it. It would certainly make you nostalgic and chuckle up at times. Just a note: Ruskin Bond’s most of the books have mountains as the backdrop and human emotions as the front runner effortlessly weaved in words. You can pick up any of his books with a blend of nature, friends, kids, adventure and I bet you won’t be disappointed.

Buy the book.

ZEN PENCILS- DREAM THE IMPOSSIBLE DREAM | GAVIN AUNG THAN
ZEN PENCILS- DREAM THE IMPOSSIBLE DREAM | GAVIN AUNG THAN

Zen pencils – Dream the impossible Dream | Gavin Aung Than

Pick it up for the gush of sunshine and motivation. It has inspirational quotes from popular personalities beautifully illustrated in the form of stories. The graphics stay with you even when you tend to forget the words. This book is second part of Zen Pencil blog series. If you finish the book too quickly and demand for more, visit the blog www.zenpencils.com to dive more into the world of graphical stories.

Buy the book.

THREE THOUSAND STITCHES | SUDHA MURTHY
THREE THOUSAND STITCHES | SUDHA MURTHY


THREE THOUSAND STITCHES | SUDHA MURTHY

As the tag line of the book says, “Ordinary People and Extraordinary Lives”, the book is a collection of author’s personal experience around people she comes across and how they inspire her to be happy and contended in what life has to offer while we all are working to make it better every day. The stories are diversified from her experience of being the only girl in the engineering college, travelling to various countries to wondering about the fruits and vegetables grown in kitchen garden and their origin. The stories inspire, surprise, teach, and leave you with many experiences.

Buy the book.

GOODNIGHT STORIES FOR REBEL GIRLS | ELENA FAVILLI & FRANCESCA CAVELLO
GOODNIGHT STORIES FOR REBEL GIRLS | ELENA FAVILLI & FRANCESCA CAVELLO

Goodnight Stories for Rebel Girls | Elena Favilli & Francesca Cavello

The book has 100 motivational stories about the women around the globe who made a significant impact in society fighting against all the odds- the stories of girls who wanted to be swimmer, scientist, or social activists when the society had defined boundaries for them. The title though says that the stories are for rebel girls but I would say it should be read by all irrespective of gender to break out from anything that stops them, as the first page of the book reads- “Dream bigger, Aim higher, Fight harder And when in doubt, remember you are right.” Not just the stories but you would also be taken by the colorful picture illustration of the women in stories.

Buy the book.

LOOKING FOR MISS SARGAM | SHUBHA MUDGAL
LOOKING FOR MISS SARGAM | SHUBHA MUDGAL

Looking for Miss Sargam | Shubha Mudgal

Shubha Mudgal, a renowned singer turns first time writer with this book which she calls is a collection of stories of music and misadventure. The book is a general read for anyone, does not necessarily have to be from music background. It introduces you to the music world without being too technical. The stories are full of fun and frolic halting occasionally to speak about the hypocrisy, rivalries, and eccentricities of the music world. Overall, the book is a pleasant read. 

Buy the book.

Cover Image: Jill Wellington

AazadiMeraBrand Book Cover

For Indian Women, ‘to be allowed to be, or not allowed to be’ is the Question

The history of travel-writing in Hindi is short. Rahul Sankrityayan being the most prominent name in this genre followed by a very few. However, what is both surprising and disappointing is that one cannot spot even a single woman writer marking such journeys. Anuradha Beniwal breaks this unimposed pattern and writes about her journey of solo travelling in Europe in her first book Azaadi Mera Brand.

Inspired by an Italian friend from her college days, she sheds all the stereotypical brands attached to an Indian girl and discovers Azaadi – Freedom to be her favorite brand. She starts her journey not from any city but from her home by questioning what stops a girl, a woman in travelling solo- is it a self inhibition or the judgments of being a good or bad girl by the society? She quotes Shakespeare- “to be, or not to be: that is the question” and is quick to answer herself that the question changes in reference to India. In India, the question (especially for girls) is “to be allowed to be, or not allowed to be.” She also mentions that a huge amount of savings is not a precondition for being a vagabond and shares hilarious instances of how she raised the money all by herself for the trip. Answering many such questions, this free spirit sets on a solo journey for Europe starting from London (where she currently resides) travelling to the cities of Paris, Amsterdam, Berlin, Prague among other which I leave unnamed here as the way she discovers them without following a strict itinerary because the thrill of travelling without knowing what is next is unmatchable.

She begins with Paris. Roaming around the lanes learning a few French words to interact with the people, she says – “the best way to explore a city is by walking, you not only interact with people but the art and architecture of the place too.” She vividly paints the pictures of her adventures of meeting new people, going through various museums, trying quirky cuisines and partying with random people. She also shares interesting anecdotes of Indians she came across living in those cities.

She hitchhikes from one city to another sharing cabs and wonders would it be ever so safe and possible in her own country? While she holds your hands and takes you along to Europe with her words, she is candid about the cultural contrasts with respect to the Indian mindset. On her entire journey, Anuradha does not book a hotel but lodges in the home-stays. All the stays have peculiar stories from staying alone in a room without lock to staying with two young boys who have a little message for the guest “Come the way as you are”- hung upside down on the door. Though, not all the stays were as welcoming. Well, there comes no travelling without hurdles. You lose your camera, your mobile discharges when you need it the most, taking the wrong lane and the horrific out of all, you miss the scheduled bus by a few seconds.

Anuradha, a former National Indian chess player, now settled in London is outspoken of all that is going in her mind throughout the journey which makes the book even more authentic. It is not just a diary of wanderlust but of courage of letting oneself free and vulnerable. Coming from a small village of Haryana, Anuradha describes her book as the travel memoir of a wanderer ‘Haryanvi Chori’. In the last chapter of the book, she addresses to all the girls of her country to shed all the inhibitions and shackles they think they are bound by and set out on the journey they want to take.

Published in 2016 by Rajkamal Prakashan, the book is first in the series of ‘Yayavari-Aawargi’ (Vagabondage). The book attracted a lot of appreciation and earned author the ‘Srijnatmak Gadya Samman’. Anuradha is the youngest writer to win the award. Available on Amazon Kindle, this travelogue is the perfect read for all the Hindi lovers to shoo away the monotonicity in the time of lockdown and wander freely in the lanes of Europe.