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Tag: bangalore literature festival

BLF2020 | Grandparents’ Bag of Stories – Sudha Murty with Andaleeb Wajid

December 15, 2020December 15, 2020 TheSeer TeamLeave a comment

“I don’t write to please somebody. I write because I enjoy it” says Sudha Murty, an engineer, social worker, and one of the most prominent writers of India.

The first session of the Bangalore Literature Festival 2020 witnessed an interesting conversation between Sudha Murty and Andaleeb Wajid. Andaleeb Wajid is a Bangalore-based writer whose famous works include The Tamanna Trilogy, The Crunch Factor, My Brother’s Wedding, and More Than Just Biryani.

The session circled around Sudha Murty’s latest book, Grandparents’ bag of stories. Andaleeb started the discussion by asking about the inspiration behind writing this book. Sudha Murty said, when the covid lockdown began in March, she was wondering what she would have done during this pandemic if she was a kid. Because she grew up in a village, she thought of her grandparents and how they would have told her a lot of stories. “I remembered I wrote a book ‘Grandma’s Bag of Stories’, and thought why don’t I write a sequel to it!” she recollected.

She pointed out that it took just 2-3 weeks to finish the book. While expressing her love towards the book, she compared its stories with pearls in a necklace and grandparents to the thread that holds the pearls together. She also added that she cherishes writing for children and young adults and recalled the sweetest comments she received from children.

When Andaleeb asked Sudha about her favourite choice between writing fiction and writing non-fiction, Sudha replied “When I was young, I used to enjoy fiction. Now, I don’t. For children, it has to be fiction. But for young adults, I prefer non-fiction as I always feel that life is stranger than fiction. In fiction, you imagine certain things, and it is directly proportional to the capacity of your imagination. When it comes to non-fiction, there are so many things that you cannot even imagine. There are no limits. Also, one can learn a lot from non-fiction and real life.”

Sudha threw some light on the kind of books she read in her childhood. She said she did not have much choice as there was no electricity or television in her village. Reading was the only entertainment in those times. She said she was more into epics like Ramayana and Mahabharata, further acknowledging that it helped her in writing mythology in later years.

Speaking about current generation kids, Sudha said, making their reading sessions more interactive is the best advice she could give to make them enjoy literature.

When she was asked about the closest book to her, Sudha mentioned that “House of cards” could be the closest one as she spent 15 years thinking about it and was not easily convinced with the output. “I write until I convince myself with my work” she added.

The session ended with Sudha Murty announcing her upcoming work which is going to be the second book of The Gopi Diaries Series. She plans to release it in January 2021.

About the Author: Sai Pradeep is an aspiring writer from Visakhapatnam who recently published his first collection of poetry, All the lights within us. He is working as a content writer in Bangalore. He currently writes for TheSeer.

BLF2020 | Romancing the Black Panther – Rohini Nilekani with Usha KR

December 14, 2020December 14, 2020 TheSeer TeamLeave a comment

The session began with a screening of a short film where Rohini Nilekani shared her experience looking for a Black Panther in the Kabini forest, Karnataka. She made us fall in love with this panther, which she lovingly calls Blacky, that has an irresistible pair of yellow eyes and evenly black skin. The film consisted of so many stunning photographs of this panther clicked by various people. She took us on this trip to the forest, describing its vastness and beauty. She explained to us why she describes this experience as romancing the black panther by defining what romance meant to her. She delved deep into her experiences in this forest space, given the numerous amount of times she has been there. We understood the way in which this experience has given her a sense of peace and also made her introspect. She connected her ideas with that of some interesting figures like Henry David Thoreau and Leo Tolstoy. This film then shifted its focus to environmental sustainability, conservation, and biodiversity. She described this journey of looking for Blacky as symbolic of engaging with the natural world.

Usha KR, the moderator, led the session with a narration of the poem ‘Ithaka’ by C.P. Cavafy and linked it to Nilekani’s experience. Nilekani spoke of her motivation to engage with the natural world and motivated the audience to introspect too. She also introduced us to a book called ‘Animal Intimacies: Interspecies Relatedness in India’s Central Himalayas’ by Radhika Govindrajan, which deals with how people create stories about animals, and their relationship with these animals.

Usha then steered the discussion towards the topic of climate change and its urgency. Nilekani examined this problem faced by the entire world and presented us with solutions and answers that could help turn this situation around. This led to a discussion on the economic model in India and how it should (and can) be restructured to help protect the planet from further damage. She spoke with great confidence in the youth population who she considers to be cautious about their carbon count.

On being asked to describe her approach to such important topics for children’s literature, Nilekani shared the problems faced by her as a writer for children. This included her difficulty in trying not to sound too didactic, or indulge in writing down to them. She then prompted the audience to engage in more literature because she believes it is the only way to develop critical thinking which leads to introspection. She also gave many book suggestions for children as well as adults to further engage with ecological aspects. The session ended with an interactive question-answer round.

About the Author: Immersed in the process of unlearning and relearning different values and ideas, Nanditha Murali chooses writing as her medium to approach the world. She is currently pursuing her English (Honours) degree at Christ University, Bangalore. She currently writes for TheSeer.

BLF2020 | Eleven Stops to the Present: Stories of Bangalore – Meera Iyer, Menaka Raman and Shweta Taneja with Karthik Venkatesh

December 14, 2020December 14, 2020 TheSeer TeamLeave a comment

Bangalore! To a local, the city is one that carefully caresses the history it comes with, and throws the demanding, fast paced world of start-ups, and tech parks, and a growing population to the mix. Eleven Stops to the Present: Stories of Bangalore is a book curated with short stories that revolve around this beautiful city.

The panel consists of Meera Iyer, a writer who deals with history, heritage, science, food, and environment among other things, Menaka Raman, a children’s book author, columnist and a communications professional, and Shweta Taneja, an award-winning speculative fiction author. Bringing them altogether is Karthik Venkatesh, the moderator today who is also a writer who dabbles in history, language, literature, and education.

The book is a collection of 11 stories, that touch upon the history of the city through different periods of time. All stories come with a fun side to them and is aimed to bring in awe around the history of the city, Meera says. Often consumed with dates and wars, history today is viewed only within the pages of a textbook, seldom looking at what happened in the streets of the city. Growing up, Meera says, she has grown with books from the west that very clearly talk about the streets of London and has come across only a few of them that illustrate her own city which is why this book came about.

Through the multiple little stories, all set at different times and places in Bangalore, such as those of Whitefield or Shivajinagar or Begur, the book aims to drive home a bit of pride from each of these episodes. Even though Menaka is in Bangalore for just about a few years, she was able to capture the essence of the area she lives in. While newer areas today boast of glitzy malls, and busy tech-parks, each of them has their own history with the same, even some less popular stories of Winston Churchill’s romance!

Similarly, Shweta has been in the city for only about a decade now and brings in the perspective of migrant population moving into Bangalore for hundreds of years today. This culmination of cultures and bringing spaces alive is where Shweta’s story lies. Another story on Begur combines the history of the inscription where the city’s name is first used, and has been brought into a story, Meera says.

The book boasts of a myriad of writers, all charged with the same brief, bringing a host of stories that pan through timelines and situations, and even protagonists. They aim to bring history of the ordinary lives of citizens just as known as the others.

“How do we keep up with understanding history”, Karthik asks. The ladies in the panel offer a great perspective. From talking to children about grandparents and great-grandparents, to exploring the city, tapping the natural curiosity of children, and even trying to redefine the timelines around what history could be, could just be the key to bringing in the tiniest of details from the past relevant today.

About the Author: A believer in the subtlety of magic in everyday living, and Shobhana seeks the same from the books she reads, and the poetry she writes. Immerses herself in music, literature, art, and looking out the window with some coffee. She curates her poetry, and occasional verses in her blog Thinking; inking. She currently writes for TheSeer.

BLF2020 | Club You to Death- Anuja Chauhan with Niret Alva

December 13, 2020December 13, 2020 TheSeer TeamLeave a comment

It was an animated conversation between Niret, an award-winning television journalist, producer; and Anuja, his wife and the author of five best-selling novels who moved from advertising into writing; they have 3 children plus a few dogs and cats. Niret opened with a question on how the lockdown has been, to which Anuja quipped that the lockdown made her want to murder people!

The Writing Process

Niret asked Anuja how she takes her writing from concept to completion. “It is lonely, I go into a cave”, said Anuja, and added that she does a lot of chatting with people to get inspiration. The “percolation process” is when it all comes together.

Inspiration for Her Characters

Niret asked if she gets worried that her family might unearth characters which are based on them. Her immediate response was, “No, people don’t recognize themselves”. She disguises her characters so that the resemblance gets blurred out. For instance, a cook she knows becomes the character of a megalomaniacal drug lord.

The Changing Genre

Anuja started writing romance and is now shifting to the whodunit genre. Niret’s poser to Anuja was on how this shift occurred. Anuja revealed that she got feedback that romance does not exist in real life. It made her think, “Is it with rose-tinted glasses that I’m writing?”. It led to her altering course a bit, in order to give romance along with something more realistic. 

Club you to Death

Niret read out a blurb from her book Club you to Death, to be out in the summer of 2021. Anuja revealed that it is set in a posh club and hence ‘club’ in the title.

Anuja then read out an excerpt from her book – a little was not enough and Niret urged her on to read more. This led to a very interesting segment of the session which built up the mystery and the anticipation of her book. The book is about privilege – class, caste, social hierarchies, hypocrisy.

Balance is important, it is the key to everything, said Anuja. By balance, she meant a mix of humor, depth, frivolousness. She expressed her satisfaction in having good critics in her house, who egg her on to do a lot of deleting and thus help refine her books.

Is ACP Bhavani Singh here to stay?

Quizzed on whether ACP Bhavani Singh would continue as a character in a series, Anuja said she loves ‘cozy crime’. Hence, ACP Bhavani is an old-school character; people love opening up to him, so she sees a lot of scope in continuing with his character.

Anuja went on to say that she is a huge fan of Agatha Christie; there is a dedicated bookshelf at her home for Agatha Christie’s books. The fact she loves about such old-school books is, “in two sentences they bring a person alive and they pull the killer out of a hat”. Anuja likes books that one can get engrossed in, sitting by the fire, sipping hot chocolate.

Lockdown Reactions

Anuja admitted being selfish in saying that lockdown has been a good time for her. It has been a blessing for her, a time when she could get into her escape hatch and be there.

Her Advice to Aspiring Writers

  1. Write every day, make it a discipline (Anuja writes about 1000 words a day).
  2. Avoid starting with an outline and two chapters, then getting your publishers approval before starting the next chapters. Let your writing flow.
  3. Don’t be too hard on yourself by keeping a critic’s hat on always. This hampers creativity.
  4. Read, read, read – across genres, different languages. It increases the breadth of your knowledge.

Writing Screenplay vs Books

Anuja spent 17 years in advertising, which is a world that demands quick creativity with boundaries. Whereas writing books is the other side that gives complete freedom of fiction writing. Screenplay is in between – you get more freedom than in advertising and is a ‘different crayon box’ of writing, music, visuals coming together.

How does Anuja get her cues for books?

For Battle for Bittora, it was a visual cue. Sometimes, ‘what if’ becomes a cue, for e.g. ‘What if a girl is lucky for cricket’ was the cue for The Zoya Factor. Anuja went on to add that she desists from getting down to the last level detail of anything which can stifle the reader’s imagination.

Inspiration for ACP Bhavani Singh – was it Miss Marple?

Not exactly, said Anuja. It was more of her ‘mama’ in the police; maybe a glimmer of Miss Marple could have come into the character. ACP Bhavani is from the ‘cozy’ genre, old-school.

Would Anuja write a book inspired by Remington Steele?

The mention of Remington Steele made Niret get nostalgic. He mentioned that he was a great fan of the series, loved it when Pierce Brosnan became James Bond and wishes the series would come alive on OTT again. Anuja added that she would love to write inspired by the series.

The clock had ticked by, it was now time to close; the session ended on a note that, this being the third time for Anuja and the first for Niret, they both had a great time!

About the Author: Usha Ramaswamy craves to get more creative in addition to being an avid reader, traveller, vlogger, marketer of events, mobile photographer. One day, she wants to write a book but for now, she pens her reflections at her blog, talks about her experiences in her YouTube channel Usha’s LENS and puts up photos on Instagram. She is also a software professional and a mother of two. She currently writes for TheSeer.

My Recipe For a Perfect Literature Festival

January 30, 2020May 10, 2020 Aakanksha SinghLeave a comment

Jaipur Literature Festival (JLF) was first held in 2006 and it is perhaps the one event that gave the most impetus for literary festivals to blossom in India. It provided a space for spirited debates and discussions on myriad literary topics and in turn generated more interest in such literary events. 

However, over the years, JLF has been plagued by increasing controversies. Add to that, people who go there not for intellectual discussions, but to be seen and photographed. Similarly, the number of literary festivals that have come up throughout the country can at times fall short of their true purpose, becoming only events for a great photo op. 

 

Of course, that is not always the case. They still continue to be platforms where people can interact with many authors, writers, and speakers. Even the authors themselves get an audience to introduce their work to . Literary festivals can also introduce readers to new ideas and books to read. Thus, like any other aspect of our lives, literary festivals also have their pros and cons. 

Now that the JLF 2020 is over, I wondered what kind of a festival I would want to concoct and here is the recipe for my perfect literary festival. 

 

 

Book Releases

Having authors release their book and talk about it is a good practice that exposes readers to newer writers and their work. For example, in Tata Lit Live! I discovered Rehana Munir’s novel, Paper Moon which is about the protagonist, Fiza, opening a bookshop in Bandra in Mumbai. 

 

Literary Quizzes and Games

Literature does not necessary have to be about only private reading. Festivals do not always have to be about discussions and ideas. Perhaps, they can be spiced up by having some fun games such as quizzes or Pictionary revolving around literary themes. This also leads to better engagement with the audience. 

 

Author Signing

Lining up to get your copies signed is the best thing about literary fests. It is not easy to meet authors in this country. They can be overshadowed by the media and their publication houses, making them inaccessible to their readers. And if your favourite author happens to be an international one, good luck ever getting a chance to meet them! Having author signing is a great way for readers to interact with them and to be proud owners of signed books. It is any book lovers’ dream! 

 

Having it in smaller towns 

This is more to do with looking at the larger picture since organising a festival in smaller towns helps them be put on the tourist map as well. Jaipur attracts major tourists throughout the year and the literary festival has added another feather in the Pink City’s tourist cap. Smaller towns can get a different exposure through these festivals, wooing readers and book lovers to visit the town and its attractions. 

 

Enchanting locales

Associated with this is the location of the festival. If one is to have it in a small town, one can pick a touristy place for it. Diggi Palace in Jaipur is one example. The recently concluded Kerala Literary Festival 2020 also took place in Kozhikode, on the beautiful Calicut beach. Khushwant Singh Litfest’s location is the scenic Kasauli. These events have the potential to boost tourism, hopefully in an environmentally sustainable manner. 

Musical and Dance festivals organised in the country often cash on this idea such as the Elephanta Festival in Mumbai that uses the ancient sculptures as backdrop for mesmerising performances. 

 

Boosting Local Authors 

In connection to the above points, smaller literary festivals help local artists and writers to showcase their work and give them much needed exposure too. It is always a delight to appreciate local and regional writers. The Arunachal Literature and Art Festival is one commendable example.  

 

Out With Pretention!

However, what should be done away with in any literary festival are unnecessary crowds and pretentiousness. Everyone in India would appreciate a sparsely crowded event that offers a space to breathe and relax. Literary festivals really need to have better crowd control. Smaller, lesser known literary festivals such as ones in Kasauli  or Arunachal have fewer people turning up anyhow but definitely bigger names particularly JLF attracts huge crowds. People come from all over the country to attend the fest. 

Ticketing the festivals could perhaps be one such solution but one that might be opposed as well since these are some of the few places left in India that do not charge to be there. 

One of my major critiques of literary festival’s attendees is that they might not be there out of any genuine love for the topics or ideas. They might be pretentious attendees. They can be found anywhere, in all events actually because our world has become increasingly shaped by online presence. It becomes a norm to “check in” to places both offline and online and to show it off. 

I might sound quite a prude in saying this but for me, a screening test or tool that could detect only the photo takers would make it an ideal literary festival. 

 

Regional Languages and Poetry 

The recent anti CAA protests saw protestors expressing their dissent through the use of poetry and in North India, the poetry used were in regional languages. It is the true mark of poetry when people use it as a form of questioning and speaking out against injustice. Literary festivals most often focus on English writing and the prose form. They could have sections devoted to regional writing such as Bengaluru Literary Festival 2019 having engaging discussion on the state of contemporary Hindi Writing, discussing the role of women in Odia and Bengali literature or about Kannada Literature. 

Poetry slams would be another ideal way to encourage interest in poetry and audience participation. 

 

Takeaways from Tata Literature Live-2019

November 25, 2019April 20, 2020 Aakanksha SinghLeave a comment

TATA Literature Live!: The Mumbai LitFest, 2019 concluded its 10th edition on 17th November 2019 (Sunday). It took place across in 3 locations across the city: Title Waves bookstore and the St. Paul’s Media Institute, Prithvi Theatre, and NCPA (National Centre for Performing Arts).

The literary festival began on 14th November and concluded with the presentation of Tata Literature Live! 2019 Awards on 17th evening at the NCPA, with the Lifetime Achievement Award being presented to Shanta Gokhale. TATA Literature Live! Book of The Year Award-Fiction was given to Raj Kamal Jha for his novel, The City and the Sea whereas TATA Literature Live! Book of The Year Award-Non Fiction was awarded to Early Indians: The Story of Our Ancestors and Where We Came From by Tony Joseph.
This year’s literary event hosted numerous sessions that were grouped by subject matter from literary discussions to history, from current affairs to environment and much more. We present them here under three broad themes –

Comics and Graphic Novels

A History of Women and Gender in Comics

The talk was jointly presented by Aarthi Parthasarthy and Arun Prasad. Aarthi is the creator of the web comic, Royal Existentials and is also part of the South Asian feminist collective, Kadak that creates graphic stories. Arun is a comic book archivist who began his career as a journalist but now is involved in collecting Indian comics and has created an unparalleled comics archive.

This informative talk began with Aarthi presenting the history of comics by women in the Western world, beginning from how women used comics during the Suffrage Movement. She ended with chronicling of Indian comic artists, their work and contribution. Arun talked about how he collected comics from all over India and also spoke widely about the varied and rare comics in his vast collection.

Their research which looks at the history of comics in India is based on this archive. As part of the research, they are going through the archive to find connections between the content of the comics and socio-political context of the country. It was indeed a knowledgeable session that also highlighted the need to uncover female comic artists in India as well.

The Graphic Novelist as a Satirist

The speakers for this talk were Appupen, David McKean and Aarthi Parthasarthy. Each spoke about the need to satirise through their work and emphasised on the role of satire as a critique of the powers that be. It was truly a visual feast as the speakers gave a glimpse into their work as well.

Both the talks were held at Title Waves which was absolutely perfect as the bookshop boasts of having a good collection of comics, graphic novels and manga.

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Language and Writing

Double Speak

Double Speak was a panel discussion chaired by Annie Zaidi and on the panel were Shanta Gokhale and Andrey Kurkov. The discussion revolved around writing in more than one language and what it feels like to be able to think, read, and produce literary works in many different languages. The session was quite lively as both the speakers regaled the audience with entertaining anecdotes about their work. Kurkov speaks six languages and he emphasised how the tone of his writing is dependent on the language he uses. Shanta Gokhale, on the other hand, spoke of how she received encouragement from Nissim Ezekiel, no less, to write in Marathi and to pursue prose rather than poetry! Several such engaging tidbits had the audience in splits while also throwing light on their writing bilingual and multi lingual works.

 

Miscellaneous

The Little Festival

For the first time, Tata Literature Live! introduced something special for the kids called The Little Festival. Its aim was to inculcate the habit of reading among children and included several workshops conducted on various interesting topics such as creating cartoons, writing poems, writing mysterious characters etc. The Little Festival also hosted retelling of Shakespeare’s Macbeth for children.


You Cheeky Devil

Who says literature and reading has to be an individual pursuit alone? Banishing the notion of reading as being boring, the festival also had a literary quiz to bring out the literary nerd in all of us!

You Cheeky Devil was hosted by 94.3 RadioOne host, Hrishi K. The participants were an eclectic mix: famed Sanskrit scholar, Arshia Sattar; the quirky Historian, Manu S. Pillai; Journalist, Peter Griffin and Senior Commissioning Editor at Penguin Random House India, Manasi Subramaniam. The four participants fought each other over literary quotes, literary dumb charades and even a bout of Pictionary!

 

We also attended this year’s Bangalore Literature Festival. Take a look here – BLF2019. If you want to jump to specific sessions, we have picked 3 for you to start- 

Wanjiru Koinange from Kenya, on her book ‘The Havoc of Choice‘ .
Prasanna on his book Moola Ramayana.
Lisa Ray talks about her literary journey in Close to the Bone.

 

 

Atta-Galatta-Bookstalkist-Interview

Atta Galatta has become a community

April 4, 2018May 21, 2019 TheSeer TeamLeave a comment

The place was busy buzzing with flea market, birthday wishes and that familiar smell of books. Yes, there was coffee too.  It was the Seventh Birthday of Atta Galatta. We squeezed ourselves through the crowd, stole Lakshmi and Subodh from their guests for a quick conversation.

Continue reading “Atta Galatta has become a community” →

Nationalism, Intellectualism, and Us – Makarand Paranjape

December 30, 2017May 10, 2020 Abhishek JhaLeave a comment

Makarand R. Paranjape, has been the Director of the Indian Institute of Advanced Study, Shimla since August 2018.  Prior to that, he was a Professor of English at JNU, New Delhi. Mr. Paranjape is a scholar, critic, poet, novelist, and columnist. He read English at St. Stephen’s College before getting an MA & PhD from the University of Illinois at Urbana-Champaign (USA). He has published over 45 books, 170 academic papers, and 500 newspaper/periodical articles. His recent books include Cultural Politics in Modern India (Routledge, 2016), The Death and Afterlife of Mahatma Gandhi (Penguin Random House, 2015), and Transit Passenger/Passageiro em Transito (University of Sao Paolo, 2016), an Indo-Brazilian book of poems. Makarand is currently a columnist for Swarajya, DNA, and Mail Today. The Seer (formerly Bookstalkist) spoke with him on sidelines of the Bangalore Literature Festival, 2017. 

Tagore’s essays on nationalism are really about the dangers of ideologies and the people who get blinded and brainwashed.

 

 

Going through the works of Swami Vivekananda and then the literature of Tagore, do you think there is a conflict between them when it comes to the idea of nationalism?

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There is no conflict and that is because Swami Vivekananda did not write about nationalism. People aren’t aware of this but he hardly said anything directly on nationalism. He passed away in 1902 and by that time, the national movement had not yet really arrived at a tipping point. Bengal partition took place in 1905 and he passed away before that. He did see himself as a great awakener of the Indian conscience as well as the dormant force of the nation but he never made a lot of remarks about nationalism whereas Tagore really engaged with nationalism. However, even Tagore had a context, the context was the first world war. What people often do not understand is that Tagore’s comments on nationalism were actually a critique of imperialism and he had a different idea of Indian nationalism which he set forth in Swadeshi Samaj, an essay he wrote long before. There, he talks about, like Gandhi did a bit, about self sustaining communities which are able to look after their own needs  without the intervention of the state. One reason that he became a bit cautious about this ideology of nationalism is that during the Swadeshi Movement when Bengal was partitioned, some people think that it was the source of partition of India and that’s where the idea has come from. British wanted to partition India and Bengal was the first experiment. This experiment was done in Bengal and luckily it was also undone because there was a huge uprising  in Bengal. However, during that time, Tagore was disillusioned with the kind of nationalist ideologues or leaders he saw. He found that they were dividing the community’s unity and causing a lot of havoc. He wrote about this in a book called ‘Ghare Baire’  where the whole family gets destroyed because of the intervention of a demagogue. Tagore’s essays on nationalism are really about the dangers of ideologies and the people who get blinded and brainwashed. Then, they lose their humanity, they lose their sensitivity, and they lose their capacity to be human. For Tagore, as a poet, that was a disaster.
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In his lecture on nationalism, Tagore mentions the conflict of nations. There is a reckless competition between nations for making profits and it works like a machine and has been successful in robbing humanity from people. So, when it comes to the subject of this whole capitalist idea of making profits for countries and organisations, is he on the same page or closer to Marxism?

I don’t think that he had anything to do with Marxism. Marxism is about collective ownership of land, goods, and of means of production.  It’s against individually owned property. It’s about the proletariat owning all the resources. So, I think it’s an entirely different ideology. If you want to create some kind of connection, you will have to say that in Tagore, we find some sympathy for the poor, for the underdogs, or for the oppressed. But again our Bengali friends don’t like it but Tagore is a very bourgeois writer and this is what exactly a leading Marxist critic whose name is György Lukács who was a Hungarian and at his time, the leading Marxist literary critic, denounced Tagore as being a charlatan, a minor and a sentimental writer. This is because in Tagore’s writing, the revolutionary impulse is viewed with great suspicion. Tagore was quite obedient to authority. Though he was critical of authority, he was not a revolutionary, he was not a Rebel. He didn’t have rebel characters in his novels in good light. They always came out looking really bad and Lukacs catches this. He says, “you know this Tagore, he is a petty bourgeois. He is not at all a progressive writer.” Our Bengali friends often don’t like this because they have deified Tagore. But there’s one thing, speaking about Bengal, Bengalis, and Bengal Renaissance, there is a major difference between the trajectory of Tagore on one hand and that of Vivekananda on the other. That distinction is clear and the reason for that is that while Vivekananda was definitely for pluralism and respecting diversity, he also wanted to make India strong and his idea of virtue was that ‘weakness is sin and strength is life’. So, this emphasis on  empowerment in Vivekananda’s literature is then picked up by people who are also looking for role models for a more muscular nationalism whereas Tagore is meeker and accommodative. The way that Vivekananda then gets picked up by different factions is essentially in the service of this sort of more militant Hindu self-assertion of identity. But what is interesting about Vivekananda is that love him or hate him, as it were, everybody wants to appropriate Vivekananda. Whichever political ideology you represent they all say that we considered Swami Vivekananda a Hero. So, there is something universally acceptable about him which is not true even of Gandhi because a lot of people don’t like Gandhi But go around asking who doesn’t like Vivekananda, you will find hardly anybody, even the Marxist and the communist have tried to appropriate him.

I would like to go to fundamentals here.  We see that currently most of the writers that we read on social media or otherwise, have boxed themselves inside the Right or the Left.  So, according to you, what is Left and what is the Right?

These are misnomers, specially in the Indian context because according to the more classical definition, if you look at the European context, the right authoritarians were the fascists and the left totalitarians were communists and in a way, both are highly avoidable. The experience of Europe has shown us that. So, you have Stalinist totalitarian regime.  In the east, you have Maoist and North Korea and other varieties of these. These  regimes don’t respect freedom, individual rights, liberties, and due process. Freedom is not very important for them. That is one extreme. In the other extreme are so called fascists, the Mussolinis and others who enjoyed power for sometime. Then, Nazis  were actually  nationalist socialists, that’s what the Nazi party called itself.  So, these are varieties of, you might say, the bad guys but after that the rest of the spectrum is broadly democratic in at least western democracies. In the Soviet sphere of influence again, individual rights and liberties were curtailed, there was no economic freedom or competition. That was the left. The right was capitalist. Now, most of the greater Indian intellectuals or thinkers have been telling us that none of this is suitable for us. They are saying that we should find another path and hence, for some time we tried a mixed economy model, then we tried for sometime other more dharmic economic model which may be they are still trying.  Long and short of this is the same thing –  we can’t be out and out capitalists, when making money becomes be all and end all. Capitalism without humanity or on the other hand, command and control of economy completely under the state can’t be our way. That’s why I am saying left and right in that sense have hardly any meaning. But the political configuration has become this – you are  pro current ruling regime or you are not, that is a very big divide. I think, not just social media but India I feel and I would say Hindu society is going through a huge civil war and some of the other communities are watering from the sidelines but they’re going through their own civil war and so the problem in India is not left and right at all. The problem is something different. It’s about two competing narratives. Which one is to capture the national imagination and through that capture and enjoy power, enjoy dominance, enjoy economic benefits is the question today. And that is why the battle is so vicious because so much is at stake and a particular elite which enjoyed  earned and as well as unearned privileges and benefits is now being pushed aside and when you get pushed aside you will fight, you will fight for your turf.

…I were a Muslim, would be a completely idiotic appeal. I would look what are you doing for education.

 

 

In your poem, Tipu’s Fall, have you referred to Tipu Sultan as the first Indian nationalist?

tipu-sultan-bookstalkist

I didn’t say that. That’s not actually what I have said. Tipu Sultan has a divided legacy and his own historical record is deeply divided. He fought against the British and that makes him from a modern standpoint,  anti imperialism but he did not see himself necessarily as an anti imperialism person. He wanted to protect his kingdom, a kingdom which his father had  usurped. So, the thing that we don’t want to understand about Islamic conquerors is that they are basically people who go and invade  areas and through the power, through the weapons, and the armies, they control and then  they rule. Then, they also use Islam as a  legitimating device. They present an ideological justification and the ulema is harnessed to  support them. This is the template and this is followed, we are talking 1790s and this is still followed, look at Bhopal, look at some of the recent examples, a few hundred thousand horsemen come in and invade and then they establish the Darul Islam, whether the population is 100 percent Hindu or 80 percent Hindu or 70 percent Hindu. And certain things are followed. Certain temples will be taken over, Khutpa will be read from there and all such things happen. So, this has happened for hundred times and hence, you can’t deny this either.  So, when the Indian nationalists were looking for some role models against the British, they went back to 1857. It was Savarkar whom the leftists don’t like who called it the first war of Indian independence. It was called the sepoy mutiny otherwise. He said that the British were the enemy, let’s make a common cause against them. This is something very interesting that we don’t know about Savarkar which is that he did not start off as an advocate of Hindutva. His book on 1857 was published in the same year as Gandhi’s Hind Swaraj in 1909. Hindutva comes much later  in the twenties because his thinking had changed and he found that the composite nationalism was not going to work.Finally Gandhi realized this same thing in 1947.  He is conceding that we tried and tried and tried.  So, what I wanted to say is that certain narratives were created to make a common cause against the British and in that process Tipu becomes an anti-imperialist force, that’s how he is taught  in history and elsewhere. The Sword of Tipu came, all this is done because of the state sponsored media. They are funded by the state and they don’t tell you that how many  people were converted, how many temples did he destroy, or what his policies were. Also, like all rulers, he also had to make compromises. He had to make a compromise with the Sringeri Mutt. That is also a fact.  So, there was some arrangements there but at the same time, little south of Sringeri in the Malabar, north of Kerala,  he was  totally vicious because those people went against him. In other words, we have to see these figures in the context of their own times and their own compulsions. We can’t superimpose upon them or project upon them or own problems. Right here in Karnataka, the problem is partly because they want to use Tipu to get the minority votes. So, every year they want to celebrate some Tipu Jayanti which is actually a way of dividing  the  voters into vote banks,  saying look we are doing Tipu Jayanti so the muslims who are at 10% , 12%, or 20% of the constituency, they should vote for us. Why? Because we will do a Tipu Jayanti which to me if I were a muslim, would be a completely idiotic appeal. I would look what are you doing for education. There’s no Muslim  road and Hindu road, no Hindu electricity and Muslim electricity, but yes they will say Hindu schools and Muslim schools. What I am trying to say is that to divert  from the real issues they do this.  So, the moment you have a celebration, the other guys will say but he was a tyrant, he was a murderer, they are also using the same figure divide and not just divide but to appeal to another bunch of people. This is what’s going on.

Should there be no resistance?

My point is these fights are not at all about Tipu. Similarly, left and right is not at all about left and right. These are power struggles between competing claimants to both national and regional power. So, when we think it’s about Tipu we are so misled. And I think this is true of much of the debate that is happening in India today because we are not able to read them symptomatically. They are symptoms of something else. But we get fixated on these issues and then we started debating them.

If I  add to the same vein, a major portion of the history that is probably inconvenient to some people, has not been taught to students or scholars. What I see is that the entire Mughal tyranny has been whitewashed.  I also see that the partition pain has been whitewashed. It’s not there in history textbooks. All they mention is that India and Pakistan were divided in 1947. Do you think such sections of history should make an entry into the text?

Absolutely. We should have many many histories but I’ll tell you what I worry about and why this is again a problem which we don’t properly understand. The debate is not just over with what happened. I wish it was. The debate is what is the official history to be taught. So, again, it’s about mind control. They want to substitute one narrative by another but I am interested in finding the truth. Now why are they doing it once again? Seeing the potential to indoctrinate young people, from school you will be raised on a particular ideology, like they have already done in Pakistan, or like they did in India, everyone was raised on some kind of secular diet. Though I am in favour of corrective history, I am more interested in seeing that the power of indoctrination in schools and colleges is reduced through the plurality of sources. This requires deep thought which is that there are no simple truths in such subjects. However, these subjects are being taught in such a way that only one answer can be right. Because of this, you are going to force people. In other words,  what I am really so concerned about is the attempt by our political establishment to use the coercive powers of the state to influence our populace. Here, they are doing it now by making Kannada compulsory. I don’t think states should make things compulsory or not compulsory, it’s not their business.  And it has become their business because they are taking your money and my money, and deciding how to spend it. And because they are controlling the budgets, they are enforcing their own political ideology on the passive populace.

Imagine what would happen if governments let people decide, let communities decide, and this again this whole issue of one certification, SSLC,  so you’re controlling thousands of people. Why do we do this? Everyone knows this that SSLC doesn’t work, everyone knows this, but well CBSE is marginally better, but if you work for Infosys they will train you because they don’t trust your degree. So, the kind of reform that we need in India and the kind of transformation I am interested in Abhishek is not at this level, at the superficial level at which many of our debates are conducted. I am interested in deep change and for that you need a lot of smart people who really want to go into this and examine. You see the US, there is no central board of certification. Every High School gives its own high school leaving certificate and its own grades, there’s no one centralised system but people figure it out eventually, centralization comes during SAT,  that means if you score, that’s it. So, we should do that and forget these boards what are these boards anyway? That’s one way but they have at least got out of forcing everybody across US to study one textbook. Why not let every school decide?  So, I am all for decentralisation. You can’t  indoctrinate, but here both sides again, both sides want to use the power of state to control others. So, for us, unfortunately power is seen in how you can inconvenience somebody, how you can force your will on someone, not on how you can enable things. Even though so called assertion of the Hindu Right is often seen in terms of bullying or enforcing some notion of theirs on others, in not making many different narratives possible, I don’t blame them entirely  because because they have also been forced into this binary and I think it’s the purpose of intellectuals to  not succumb. I always tell people to resist, you may be drawn into either camp, it’s so much easier to be a camp follower  but at least intellectual shouldn’t function like that. We are not the sheep. I don’t know about the Dharma of the troll because I am not a troll or dharma of a party worker because I am not a party worker but I know a little bit about the dharma  of an intellectual, of an academic, of a writer, and of a citizen. All these dharmas require you to be critically aware, be well informed, be responsible, and to make decisions based on good evidence and not just on the basis of either populist measures or misinformation. Speaking of populism, it’s completely wrong to think that only one side is populist. All sides  are populists. Whenever you appeal to the sentiments of the people, often making them do things that are not there in their self interest including possibly Brexit, that is populism. So, how can you say only right is populist?  No, left is totally populist. Quotas, sops for women, all that is populism. It’s a way to hand out favours from the state. What I have been saying to people is , let’s create a system where you don’t need a quota because there are so many opportunities, hundreds of colleges; anybody can be a doctor. That is something the polity doesn’t want. They want to have a small set of goodies which they will control. You take 5, you take 3, I will take 10. Then, they distribute it. So, they just want to hoard and control the resources. But if you really want to see the potential of a country, let every society decide they need so many doctors and that’s the number they will support and the rest will fall by the wayside. Right now, it is the opposite and in the places you need doctors, you won’t find them. Where are the barefoot doctors? They are all in Bengaluru. Why? Because you make money here.  We have created the worst kind of combination of feudalism and heartless ultra capitalism. No person can get good medical treatment, no poor person can get their rights  and here we are, always speaking in the name of the poor. ‘Oh you are deprived, we are going to give you this!  O you’re underprivileged, take this!’  This is hogwash. So, what I am trying to say is for India to be, forget about India being a great country, I hope we are and we will be, but even to just live up to our potential, there is so much that needs to be done. One of the major changes needed is to get governments to stop interfering in all kinds of stuff.  You look after law and order. You are not here to tell people what to wear, what to eat, how to live their lives, or how to worship! That’s not your business. Your business is to make systems work,  maintain law and order, and develop infrastructure. You and I can’t build roads because they are big projects, but even that we should be able to build. In an ideal society, suppose we are a neighborhood, 20 neighborhoods can come together and make a road going through them. You don’t need some agency. These are deep changes and they can’t be sorted out immediately but here I think, the good news is we are in the process of a  huge churn and in this  churn, the creative energies of our people will be unleashed.

Coming to the question of intellectuals taking sides, intellectual’s being on the payroll of the king, it is a system that was there even in ancient periods of our country but I’ve also heard about examples where such advisors guided kings in the right direction in spite of the the payroll factor. Coming to later years during emergency, Advani made a statement, “..when the journalists were told to bend, they crawled”.  do you think anything has changed in the last few decades?

Things have changed in last 1000 years. You see, these things that we talk about belong to another era. Many of them are only in story books, legends and myths.  We don’t have very good historical records but yes, even if you in more contemporary times, we have seen the role advisor (Madhava Rao) to Maharaja Sayajirao Gaekwad played. Even in those times, there were a benign set of advisors who were very competent. Sir Visvesvaraya is an example from Karnataka. Sir Mirza Ismail is another example. So, the point is that obviously throughout the ages, the priests and the Kings were always the collaborators. That’s how power was maintained but the domains were well demarcated. However, that should not really worry us. The real point is this – every person needs to understand what their job is,  like today, we had a lovely session here on the Governor of The Reserve Bank. It’s an office which is obviously subordinate to the finance ministry. It’s a government office but it has its dignity. That is the point. How is democracy destroyed? It is destroyed when all these institutions are destroyed and that’s exactly what has happened in the last 60 years. Emergency is the classic case, but the gradual erosion of these institutions was already in place. Now when we come to the intellectuals, intellectuals traditionally and even today in the western world, they are not statists, they should not be statists. They should be independent. Statist intellectuals should be directly hired by the state and they should work on Niti Ayog or other government think-tanks but otherwise, intellectual should be independent. Sad thing is, in post-independence India, intellectual as a class was so degraded that they became either aligned to some foreign mission or foreign network of patronage or they got aligned to the state. They were patronized by the ruling party and very seldom were truly independent. That is true for regional ones as well.

Now, we have to recreate an ecosystem where intellectual competence is recognised, is rewarded, and independence of intellectuals, writers, journalists, thinkers is safeguarded and encouraged. We don’t want an ecosystem where everything is politicised and everybody has to fall in some political camp or the other. This is what happened even in Bangalore Literature Festival. It went through a huge churn because people said it was hijacked and used as a forum for Award Wapasi. So, what I’m trying to say there should be space for not just debate but to some extent dissent and the plurality of views that is supposed to emerge from these spaces.  We have seen that there is a systematic attempt to capture, control, and  infiltrate these spaces through well networked ideologically committed groups. And they work together because in solidarity there is strength. Everything is like match fixing,  everything is like an echo chamber and this we have to change and that is why we are coming back to to the Civil War. It’s very important to participate in this ‘uncivil’ war in a very civil way and take issue based positions and instead of blanket positions. This is for good intellectuals, there will be party intellectuals also, it’s important to maintain that autonomy because it is the autonomy of certain group of people who are sincere that is really Satyagraha. Satyagraha is the insistence on truth. It is not the ‘belonging to a particular political ideology’ at all.

You spoke about the Civil War in the Hindu community itself.

Just to clarify, it’s an uncivil war. In a civil war, people kill each other, so I’m just playing on the word here.

 

hindu-2628776_1920I see three kinds of Hindus right now. One is all for the strengthening and flaunting of muscles, there is another set which says no this is not my Hinduism, my Hinduism is more spiritual,  it is about my soul and introspection,  reflecting and knowing myself,  and then there is one more which is unaffected by this entire debate, they are immersed in their own lives carrying on their daily worship and rituals. Where do you see harmony between these?

This is very interesting. There have been different ways to try and define this. Some people say that there are secret Hindus, for them Hinduism is a private affair. In public sphere, they may be completely secular or non religious but they may also be marxists or scientists, nothing to do with their faith, that’s living like schizophrenics. You live in two worlds. That’s one Hindu. There is another kind of Hindu which is Hindu inside but is afraid to be Hindu outside. They say, ‘No, I am not a Hindu. I am secular’ or ‘I am just spiritual but not Hindu’. Then, there is a third kind of Hindu that says I am Hindu inside and from outside too, I want to be recognised as a Hindu. The third kind of Hindu has become a huge threat to certain other kinds of Hindus. Why? Because this third kind of Hindu, by flagging his identity in the public sphere, has also created the possibility of capture of power which is very threatening. So, this political Hindu is the biggest threat. All the other kinds of Hindus are not an issue. It’s only the political Hindu which everybody is criticising from left, right, and centre for the fear that this this political Hinduism will capture power, will displace all other people. That fear is expressed in the terms of fear of one religion, one language, one god, or one deity. This is what I would call a ‘spoiler’s mentality’. It’s not like look we ruled, let’s give them a chance, they have won. It’s like this, these are different from us. These are like the Nazis, once they takeover, that’s the end of democracy.  This is the kind of argument that was made even for Trump. The losing side never accepted him as the President. Here it’s not as bad. In a sense, Narendra Modi enjoys a widespread support . It’s only the intellectuals who don’t like him. That is partly because nobody cares for them anymore. So, it’s much more complicated than it seems and you’re right, I don’t know how this civil war will be sorted out but I suspect that it may be sorted out if this political party can continue to rule for a certain number of years. Then they are going to, I would like to think, bring in some lasting changes. But it will not end the basic issues which are endemic to Indian democracy – issues of pluralism and  freedom. I think they will just find out another way of saying yes we accept your views but don’t denigrate Hindus or we accept everything but Hindus will be a little bit superior because we are the majority.  So, they will come up with some kind of package which some people may not like. You ask many muslims, under the Congress as well, they did already feel as if they were second class citizens. To be the first class citizens, you had to be secular or you had to go to right colleges, speak good English but then they say they are not muslims at all. So, the problem that we’re going to face is definitely the dominance of certain classes or communities over others. In other words, if you consider a state to be something you want to enjoy, then certain sections seem to have a prior claim on the state and the other communities are already marginalised, and they are used only as vote banks. So, now you’re going to say well there is huge difference between official marginalisation and not so official marginalization, then you can make those arguments, if you like. But you know in any democracy the Demos which means the mob or the numbers will matter. How can you just evaporate the numbers? You evaporate them by saying no no, they are hindus only in name, but they are Lingayats, they are somebody else. That worked for a while, okay, but after a while for the sake of voting they will also come together. Now, they are caught with the same twist that they were trying to catch the other guys with. You create a Sikh vote bank, you create a Dalit vote bank, now, by the same logic, you have got a Hindu vote bank which is majoritarian and if you don’t like it, too bad for you. You’ve got to suffer the consequences, because it’s a logical corollary of exactly what you did for so long.

 

 

makarand-paranjape

After the Kanhaiya Kumar episode, and even before that, people have a certain kind of perception of JNU. Are you a minority at JNU?

Yes, of course I am a minority at JNU.

The book that came out from the JNU, ‘What the nation needs to know’, you look at all the talks there. You will see that I am certainly an exception. There may be two or three talks that are saying slightly different things but mine is in a way most different. So, definitely in that sense, I am in minority there. But JNU is also changing. The administration is now more aligned to the present government and the student unions, of course the left unions have won, but the right students are gradually gaining and who knows, things at JNU may change drastically, and then, the narrative that’s going around about JNU might also change once that conversion takes place. But I think the demonisation is also a little excessive because it’s based on a misrepresentation. Only those things are highlighted which are bad. The good is not highlighted and when the change happens, I do hope that all the good things are not lost.

First Draft to Marketing – How to get Published

November 6, 2017May 16, 2019 TheSeer TeamLeave a comment

The author of ‘The Amazing Racist’, ‘Panther’, and ‘Loyal Stalkers’, Tenduf-La grew up in a bunch of cities that includes Hong Kong, London, Delhi, and Colombo. Through his own experiences, Chhimi Tenduf-La brings the nuances in the pursuit of getting a book published.

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The Family as a Microcosm

November 6, 2017May 16, 2019 TheSeer TeamLeave a comment

Bangaloreans got a chance to interact face to face with the renowned author Sadiqa Peerbhoy, who launched her latest book on the first day of Bangalore Literature Festival, 2017. ‘The Family as a Microcosm’ is the story of a dysfunctional family which is trying to survive through a distraught Bombay, post-Babri Masjid demolition. While both the family and the city are in turmoil, the author tries to portray how deeply the fate of both these two entities are intertwined. Whatever happens to the family, happens to the city and hence, the word ‘microcosm’ fits so aptly into the title.

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Antara Gange

November 3, 2017May 16, 2019 TheSeer TeamLeave a comment

Women who have been through the toughest of times that life has thrown at them, Indira Lankesh and Dr. Vijaya opened in this interaction with M S Asha Devi about what makes them the strong women they are. Indira Lankesh is the wife of Late P Lankesh and author of , ‘Sour Mango and I’ (autobiography), and Dr. Vijaya, the first woman journalist in Kannada, was the one who brought the International Film Festival to Bangalore.  She also launched the intellectual magazine for women, ‘Namma Manasa’. M S Asha Devi, a feminist writer elicits the working of the minds of these women who embodied strength.

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Jingoism Vs. Patriotism

November 3, 2017May 16, 2019 Abhishek JhaLeave a comment

Weekend mornings of an octoberish Bangalore can carry you into an inertia that is extremely difficult to overcome. However, this is a time loved and awaited by writers, poets, and patrons of literature for reasons transcending into the creative streak of such people. As such, this is perhaps the best time for a celebration like Bangalore Literature Festival to happen. When you have a Historian and Author as eminent as Ramachandra Guha to speak with you right in the morning, you can’t really ask for more. ‘Jingoism Vs. Patriotism’ has been a lingering debate for a long time in our society and has gained refreshed vitality in the recent times. Guha spoke on this subject. Continue reading “Jingoism Vs. Patriotism” →

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