The Last of Us and Our Stories of Hope

Human suffering comes in many shapes and forms. There is one kind that an individual goes through in his life, not because of a particular central external reason but because of his individual choices or due to what we sometimes refer to as ‘fate’. Fate is not a word rational people really like to hear but here is an example – a person who smokes a pack of cigarettes every day is making a choice. If cancer gets to him one day, there isn’t much he can blame the world for. On the other hand, if someone isn’t into any such harmful habit or say, a newborn gets cancer, there isn’t much externally available to blame. You could point at environmental factors, and it could be true. However, there are others living around who are not affected and spend a medically decent life.

What we don’t understand gets thrown into this bucket of ‘fate’. So, there is this suffering attached intrinsically to your life’s journey – some common, some rare. We all have gone through our own share of suffering at different points in life.

Another kind that we have seen very recently, starting from the year 2020, is the suffering that’s common to the entire society – where a whole city, country, or the entire world suffers because of mainly two factors – catastrophes – natural or man-made. An unexpected flood, a Tsunami, an earthquake – we suffer as a single population – some are less impacted than others but there is suffering at every level. The man-made ones – a war, a partition, an exodus, a pandemic – can also cause suffering to an entire population. When it comes to a war or a locally contained natural disaster, there is a world that remains directly untouched, sometimes even unaware for several reasons. However, the recent pandemic, perhaps for the first time in the last two-three generations has caused immeasurable suffering across the world. A virus kept mutating and tormenting the world and all we could do was just sit and watch things happening to us and havoc being wreaked upon our lives. Everyone I know lost someone in these last couple of years. People who otherwise had no reason to leave this world had to go without having a chance to be near their loved ones in their final moments. Infection, symptoms, quarantine, suffering, hospitalization or its denial, oxygen shortage, waiting, more suffering, death – it was a matter of going through the motions – like things had to happen sooner or later, and there wasn’t anything one could do about it except being ‘careful’, as careful you could be, given the circumstances.

People have spoken and written about the lessons from the pandemic at length, many of them already forgotten or lost in the second or 2000th page of the internet and of our own minds. I would however like to recall just one thing, the biggest one perhaps from all of it – that human suffering is alike across the world at a fundamental level – money, power, poverty – all of them – do cause differentiations till a certain point but when the universal suffering endures, the artificial layers peel off, sometimes on the very first hit and sometimes taking a few more hours on the clock. The result – we are all exposed.

The TV Series ‘The Last of Us’ based on a 2013 video game plot wherein a pandemic is caused by a mass fungal infection forcing its hosts to transform into zombies is thankfully not about the zombies. It is about the humans, as they were before they turned into these zombies, or how they survived the next attack. It is about their lives and the hundred thousand ways they have been tormented by the pandemic. The show takes us through a post-apocalyptic world of 2023 with the help of a few characters who either get infected or don’t but suffer all the same, much like what transpired in the last couple of years with the real pandemic. The writers with their characters zoom in on individual suffering as a study of human suffering in general and deliver the message of pain through your screens to your heart. I know someone who lost her child a day before the delivery was due, I also know a 79-80 years old gentleman who was working on a book and editing articles for a magazine and died being concerned about their completion in the hospital ward. I know someone who refused to go to the hospital and died and I know someone who went to the hospital in time and died nevertheless. I know a 20-something who had to take care of his infected parents for about a couple of months while being infected himself. When I watched the show, episode after episode, these faces appeared in front of me through the characters who suffered on screen. So many promises and plans just lying there, floating over the searing funeral air, undelivered, now orphaned, and unclaimed – that your spirit begins to crumble and hope seems to be a pointless concept.

While the show starts with a grim assessment by scientists, the flame of hope doesn’t go out. It was hope, a hope of medicines or a vaccine, a hope of immunity kicking in, a hope that we would be able to survive – that has carried us to where we stand today. I do not know how the show ends at this point in time and maybe we will never know what series of pandemics are still in store for us humans in the real world – but I know an Indian doctor who served without a pause in one of the remotest regions where people could ill-afford quality healthcare during the pandemic and helped thousands of patients at the area hospital as well as over phone calls and WhatsApp. So, we keep the hope alive, at least as long as we have such people walking amongst us. Things may or may not get better but even if they don’t, whenever the last of us tell our story, they will zoom in on our common suffering and the hope we kept lit in our hearts till our last breath.

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Video: TheSeer Interviews Anuradha Beniwal

Anuradha Beniwal is a prolific traveller. She has been travelling in India and has also covered a lot of European countries. In 2016, she authored her first book about her solo travel experiences in Europe. The book Aazadi Mera Brand, published by Rajkamal Prakashan was well received. She has been a national Chess champion and currently works as a chess coach in London. Bhumika Soni from TheSeer, spoke with her about books, travels, and life at large.

You can read the review of her book Aazadi Mera Brand here: https://theseer.in/for-indian-women-t… You can buy her book here: https://amzn.to/3dG5MBn

Music: Early Hours Musician: @iksonmusic

Ruskin Bond Photo

On Ruskin Bond’s Birthday, Revisiting His Writings and Their Impact

Ruskin Bond’s writing has always been a constant in my life since reading his stories in my English school textbooks. While the world only recently is going gaga over cherry blossoms, I still vividly remember reading in school about the quiet innocence and perseverance of Rakesh from the short story, The Cherry Tree, and how he planted the seed and despite all odds, was rewarded with the pink blossoms.

The depiction of the utmost simplicity in the characters’ actions and the vastness and joy that nature provides them has made Ruskin Bond’s writing endearing and lovable.

Most of his novels are set in the hills. The stories profess the writer’s close bond with the mountains and its people. His stories will always have characters that also, like the author, share a close bond with the nature that surrounds them. The closer they are to nature, the fuller and better their lives are. These characters will cherish the tiniest of miracles that nature offers to them like Rakesh’s delight at seeing the cherry tree blossom. These innocent delights, bereft of any greed, make Bond’s characters memorable. They enable the reader to take a break from the rat race and appreciate the simple pleasures of nature.

Ruskin Bond was born on this day in Kasauli in 1934 and after living in different cities in India and outside, he decided to make Mussoorie his home. He continues to live there in the Ivy cottage and regularly haunts the bookshops of the famous hill station.

Bond blithely intertwines his own experiences in his stories too so that on reading them, one  might feel one knows the author better and along the way, can also take a trip down memory lane of how things used to be before in the towns and hills. Several of his stories therefore are coloured with an autobiographical tint, revealing the tidbits of the author’s many journeys in life.

The other literal journey that Bond often depicts in his stories is the railway journey. Trains are an indispensable mode of transport even today, despite the boom in the airline industry. Back then, when Bond was younger, trains were perhaps the only affordable means of travelling across the country. Railway journeys with all its delights and discomforts are another portrayal of India in his stories. These portrayals will make one feel nostalgic about one’s own past journeys on the train.  The Night Train At Deoli and Time Stops at Shamli are two such short stories that feature a rail journey and the autobiographical element. Both are stories that I fondly remember. Who can forget the little girl selling baskets at the station at Deoli that mesmerized the author protagonist in the former story? The latter story is about the adventures that lay for the author when he got off at Shamli station on an impulse, instead of going to his destination, Dehradun.

Delhi Is Not Far is one of Bond’s rare novels that are not set in the mountains. Instead, it takes place in the fictional small town, Pipalnagar, in the plains. All the characters have small jobs and dream of moving to the big city, Delhi. It is only the narrator, Arun, an aspiring Urdu writer of detective novels, who takes the leap and boards a train for Delhi. What makes the novel special is the portrayal of the idea of Delhi or the big city as well as the lucidity of each character’s aspirations and the empathy the writing evokes in the reader for them. At a time when migrants have become homeless in their own country, this novel remains relevant for its moving portrait of the common man.

The Kitemaker is another short story set in a city, possibly Delhi again but that is not mentioned outright. What the story projects clearly instead is the inevitability of change and how the relentless march of time has transformed the city and the profession of the kite maker, Mehmood. He reminisces fondly the days when he was well-known for his majestic kites throughout the city, when children and men alike had time enough to fly them and how his masterpiece, Dragon Kite, had created a stir and attracted crowds. The story not only describes briefly the kite maker’s life but also allows the reader to pause and understand the ephemeral nature of time and the disappearance of the joys in the simple things, ‘like kites and daydreams.’

Thus, in an increasingly busy world, where we are caught up with our own races and demons, we must reread and revisit Ruskin Bond’s writing. His writing is an indulgence that allows us to stop, reminisce, and remember the simpler and older ways of life that gave everyone moments to rest, reflect, and appreciate the little things and people around us.

Cover Image by Jim Ankan Deka – Own work, CC BY-SA 3.0