Dr. Nonita Mittal - Interview with The Seer

In Conversation with a COVID-19 Warrior and Survivor

Dr. Nonita Mittal pursued her medical education from Armed Forces Medical College in Pune, India. After graduation, she worked as a research scholar with the pediatric hematology-oncology team at Children’s Hospital of Pittsburgh for a year. She was involved in development of a decision aid website for patients and caregivers with Sickle Cell Disease. She went on to pursue residency in general pediatrics at SUNY Downstate Health University Center in Brooklyn, New York. 

Brooklyn was one of the worst affected areas by COVID-19 pandemic. The positive test rates for COVID-19 in central Brooklyn have averaged from 63%-78% with a disproportionately higher mortality rate amongst its population as per preliminary data from NY DOH. Dr. Nonita Mittal is currently in her final year of residency and was closely involved in taking care of COVID-19 patients in this area. She got infected with COVID-19 while taking care of one of such patients early in the epidemic and recovered from it successfully. We spoke with her about her time during self-quarantine, her work, and other matters related to COVID-19 with twin intentions of expressing our gratitude to her and making our readers more aware.

DisclaimerPlease note that the medical details discussed in this interview are not intended nor implied to be a substitute for professional medical advice, it is provided for educational purposes only. You assume full responsibility for how you choose to use this information. Always seek the advice of your physician or other qualified healthcare provider before starting any new treatment or discontinuing an existing treatment. Talk with your healthcare provider about any questions you may have regarding a medical condition.

 
Healthcare professionals face a bigger risk of getting infected by COVID-19 because they are active on duty while many of us can work from home. We are so relieved to hear that you have recovered from COVID-19. We would like to hear from you some details of your own journey to recovery. 

For the first seven days, I mainly had severe headaches and sore throat that evolved into fever and chest congestion. I took Tylenol round the clock for fever and muscle aches. For my sore throat and congestion, I drank lots of water with hot lemon ginger tea 3-4 times a day. On the 8th day, I started having difficulty breathing. I was in touch with the physician over the phone who recommended monitoring oxygen saturation using a portable pulse oximeter and albuterol inhalation every 4 hours. I was instructed to come to the emergency if my saturations dropped below 92% or my difficulty while breathing was not relieved even with the albuterol. Thankfully, I responded well, and by day 10 most of my symptoms resolved. I monitored my temperature closely throughout, and once I stopped having fevers, I returned back to work. COVID testing at the time was only approved for hospitalized patients, and hence, I was not able to get it.

 

You are back to work. When this disease is evoking such great fears and shock in even unaffected people, what makes you go back to work after having seen it so closely?

Being affected from COVID-19 made me realize how scary it can be to go through something you have no clue about. It actually strengthened my resolve to go back to work and help those inflicted from COVID-19 as much as I could. In addition, when I was quarantined, my colleagues were covering my shifts and putting their lives at risk, so it was only fair that as soon as I recovered, I did the same for them. I became a physician to help those in need and now when the situation demands it, I felt I had to step up to my cause. 

 

This is a disease that is not yet properly understood by people, and perhaps statistics is the last thing a patient wants to understand. The emotions must be running high. So, what are the questions patients are asking their doctors?

Most of the patients and their families want to know about treatment options. There is a lot of curiosity regarding the effectiveness of Hydroxychloroquine and Remdesevir. There are no randomized clinical trials to prove their efficacy, however, the prelim data from certain institutes shows Remdesevir to be promising. Patients do ask regarding outcomes, but the course of COVID is so variable that it is hard to predict the outcome in any one. The only thing we can say with surety is that patients with comorbid conditions like obesity, kidney disease, or diabetes have worse outcomes. 

 

This, of course, is bringing mental trauma to patients and family members alike. What are the steps being taken by medical authorities and governments in the US to provide adequate support to the affected. Is there anything specific you would like to mention?

The government support has been very slow and inadequate. Center and state have been giving mixed messages which makes it difficult for people to follow the quarantine guidelines. In a pandemic, it is vital to build the trust between the leader and the people, and the leader has to walk the walk too. 

At the medical level, despite all the chaos, the healthcare teams have been trying to update the families with the daily progress. Many people who tested positive for COVID antibodies are donating convalescent plasma. Steps have been taken to provide telehealth and remote pastor services for those affected. Many local philanthropic organisations like World Health Kitchen have risen to the occasion to provide food for everyone working at the hospital. And there have been many anonymous donations for PPE for the healthcare worker and family members alike.  

 

How are you protecting your family during the present crisis? What are the precautions or steps you are taking to see that the family members remain untouched by the disease? Also, how are they responding to your decision to go back to work after recovering?

Me and family make sure that we practice social distancing and frequent hand washing. We have also designated a dirty area and clean area at home. Every item from outside is first placed in the dirty area, and only brought inside after being sanitized with bleach/alcohol wipes. After returning from the hospital, I immediately take shower, wash my clothes, and sanitize any article that I carried with me. Wearing a mask is mandatory in New York now, and we abide by it. 

I stay with my husband. Luckily, I don’t  have anyone vulnerable staying with me like our parents or elderly, so I can get by without quarantine at home. My parents and in-laws are in India, so they were worried about me going back to work which is understandable. My husband refused to leave me alone when I got COVID, and he ended up getting it too. So, he has been very supportive of me going back to work as we both agree that it is our responsibility to help others who are dealing with it. 

 

What are a few misconceptions you have come across about this disease through the course of your work with patients? 

We are still learning about the disease ourselves. Some of the few misconceptions are that this disease only affects the old and is limited to lungs, Physicians across US agree that COVID is a systemic disease. Patients have an increased tendency to form clots. These clots can affect any organ of the body including kidney, heart, nervous system or intestines. Both young and old have died due to this disease, and it is hard to say at this point what is the exact cause of the death in these patients. We will have to wait for the results of data analysis across the institutes to get some of these answers. Also, there is no miracle drug and if you do not follow social distancing you will get sick no matter how healthy you are. Hence, it is very important that emphasis is laid on prevention rather than cure.

 

There are already groups on the street demanding the resumption of business as usual. How does it affect the battle against this pandemic and does it hit your morale?

These groups have a good reason to protest. The lockdown has hurt the economy terribly and some groups are affected more than the others. The economic battle is part of the battle against the pandemic and does not affect my morale. However, it does signify lack of awareness regarding the seriousness of this disease. It will be hard to find the right balance between preserving health versus economy, but it is also an opportunity for everyone to come together and support each other to handle this situation in the best possible way.

 

There is news of discrimination against the medical professionals in several countries. India has already introduced an ordinance to prevent such discrimination and violence against the medical staff. Are you seeing such things happening in the US?

Yes, I have witnessed such instances personally too, although not at the same scale as in India. Once in a while a cab driver may refuse to pick you up from hospital or someone in the building may accuse you of putting others at risk by bringing all the bugs from hospital. But mostly, the experience has been appreciative towards the healthcare workers, and everyone has tried to help in whatever way they can. 

 

This pandemic has caught most of the countries unaware. Do you think we are going to be better prepared in the future, if such a thing happens again? What changes have you noticed in the medical fraternity’s own approaches and methods before and after?

Yes, definitely. The medical fraternity is more prepared to handle such crises in future. The resources and staff have been allocated to deal with any surges that may happen in the future. The hospital administrators communicate with the staff on a daily basis to educate regarding COVID management strategies, new developments, and dispel any false information. More funding is being diverted to public health initiatives and research pertaining to understanding and treating COVID-19.

 

What are you looking forward to most once the COVID-19 pandemic is behind us?

Of course, I am looking forward to enjoying the outdoors like I used to before. But this pandemic has also made me appreciate all the little things that I took granted for earlier. I make an effort to keep in touch with my friends and family, and I have learnt to enjoy the simple pleasures of life. So, once this pandemic is behind us, I hope all of us will not forget the precious lessons that it taught us, and bring a change in the way we see and live our lives. I thank God daily for what I have, and intend to live my life with gratitude in years to come. 

Cover Image - A writer writing on her laptop with books beside her.

How to Write a Book Review – Take Your First Steps

Some reviewers end up writing a book report while writing a book review. Some even don’t read the book before writing a book review (yes, it’s a scam!). Some write it to prove that they are Shakespeare incarnate and just one book away from churning out bestsellers like Stephen King.

Well, some reviewers just miss the point of reviewing a book. So, we are releasing a few-pointer guideline to write a book review that is nothing else but a Book Review. Let’s dig in.

There are two stages of writing a book review. One is written in your head while you are reading it and the second is written when you pick your pen or the writing device to actually write it down. So, we have divided our guide into two sections –

  • The Reading Part
  • The Writing Part

The Reading Part

  • Read the book. Yes, that’s the most essential part. If you review a book without reading or after partial reading of the book, you are being dishonest. If there were licenses for book reviewers, yours would be revoked in no time.
  • Make notes, create highlights, and mark quoteworthy parts. This will help you avoid a re-reading of the book while writing the review.
  • Check for difficulty or ease of reading. Define a benchmark according to your journey as a reader. What books have you found to be good and easy to read, bad and easy to read, good and difficult to read, bad and difficult to read? Place your current book in the permutations appropriately.
  • Determine if the book is a pageturner – 10% rule. Read atleast 10% of the book to decide if it is pageturner. Remember to mention your finding to your readers.
  • Determine if the beginning and the end are done well. They are important for all kinds of writing, including your review.
  • Understand who does the book relate to. Are you able to relate to the book? If not, who is the right reader for the book?
  • Take note of the editing quality. Editors can be lazy and because they have the power to spoil a book, they sometimes do it. Make sure you take note of the editor’s performance.
  • Don’t mind the author’s reputation. It is not your job to please or displease the author. Remember you are not judging the author, you are judging the book. A few touchy authors don’t understand the difference and that’s okay.
  • Most importantly, be honest to your feelings.

THE Writing PART

  • Start with a bait, something that intrigues your readers. This bait should make your readers dive right into your review. For example – “Fans of Paulo Coelho will find The Spy unlike his more prosaic narratives such as The Alchemist.” Also, a bait doesn’t have to be a lie.
  • Introduce the book, author, theme, and publisher.
  • Give a short introduction of the plot without spoilers. Again, no spoilers.
  • Discuss the parts that appealed to you the most. Use the quoteworthy parts you noted while reading. Discuss other findings from your reading such as ‘if it’s a pageturner’, ‘how difficult or easy was the read’ etc.
  • Discuss things that are unique about the book. If you don’t find anything unique, we are sorry that you’ve to review this book.
  • Discuss the parts you didn’t like but do not act mean. Book writing is hard work and even if you are reviewing the most boring book of the world, the effort alone deserves a round of applause.
  • Whether you are recommending a read or suggesting abstinence, provide reasons. Use stars if you use stars for rating.
  • Most importantly, be honest to your feelings.

Also, remember George Orwell’s Six Rules for Writing

  1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.

Image by expresswriters from Pixabay

Thirty Dates in Thirty Days

Wake up. Wash hands. Cook food. Wash hands. Finish editing the article. Wash hands. Eat. Wash hands. Webstream and chill. Wash hands. Eat. Wash hands. Scroll down the news feed. Read. Wash hands. Off to bed. Wake up. Repeat. One day was rolling into another, an endless loop with nothing except sundown and sunrise to mark the fact that the date had changed. The day I picked up my phone to check whether the day was Sunday or Monday, I realized something had to give. I had to break this infinite loop before it started feeling like a noose tightening around me.

I needed help, and so I turned to my oldest and most trusted friends – stories. Stories have always been my portal to different times, different spaces. They’ve been the most stress-free way to make new acquaintances, some who became lifelong friends with permanent spots on my bookshelves and some from whom I grew apart, and they moved on. Continuing with the next one on my 2020 reading list did not feel right. Nothing in 2020 was going as per plan, so why should my reading plan be spared!

 

The thing with the lockdown and this pandemic is that there is no missing endpoint. No one, not scientists, doctors, experts… no one can do anything more than shrug when asked – when will this end? What we are hoping for is a single word answer, what we get is a thesis filled with data, ifs and buts, and before they get into the appendices, we have tuned off. This lack of an end in sight is unnerving. That’s what my loopy routine needed – a way to mark the end of the day and something new to look forward to the next day. Stories in long-form would not fall in line with this plan. Maybe, short stories? Novellas? And then it struck me – a new acquaintance every day and perhaps to reacquaint with a few who have been sitting around gaining wrinkles.

 

I start at a happy place – a childhood favourite, Antoine de Saint-Exupery’s The Little Prince. Rereading it after almost three decades, I realize that this time around I catch the parable that the writer has whispered between the lines. I sleep happy that night. Next on the cards are short stories by Philip Roth who had left quite an impression on me last year with his Goodbye, Columbus. The short stories I pick focus on the theme of religion and tolerance without being overbearing. Another childhood favourite Astrid Lindgreen’s Pippi Longstocking sweeps me up in nostalgia. Next, I mix things up with reading a play script, something which I usually do with a group of friends. But, hey friends have dehydrated into pings on the phone and boxes on the computer screen! I pick a long overdue read Henrik Ibsen’s A Doll House, a play layered with social and individual tension.

 

Ibsen’s comment on society nudges me in the direction of Saadat Manto’s short stories. Manto once defended the theme in his writing with these words – “If you cannot bear these stories, then the society is unbearable. Who am I to remove the clothes of this society which itself is naked.” After a quick hey-ho to Herman Melville in the 19th century, a ping on the phone pulls me back to the present. It is India’s favourite cartoonist R K Laxman’s The Best of Laxman, one of the many freebies that are appearing in our realms to help make the lock-in bearable. Another play, this time British dramatist Willy Russell’s One For the Road drives home the point that tragedy when cloaked with comedy hits hard. As I ponder over my next day’s read, a thin spine catches my eye. The cover is a sage green that time has muted down – Rabindranath Tagore’s Gitanjali. A gift, it has sat in the shadows of the tomes around it for half a decade. Yeats, in his introduction, says Tagore’s ‘songs brought out a world that he had always dreamed of.‘ As I read on, I echo this feeling. My tenth date on the tenth day is with British-Zimbabwean writer Doris Lessing. The author’s ability to spot stories in the ordinary through her observation of the vagaries of human behaviour strikes a chord. It’s the kind of writer I hope to become. Ten days of reading a different author each day has added a beat to the hum and drum.

 

 

Next, I pick a modern romance Edan Lepucki’s If You’re Not Yet Like Me. A far cry from the teeth-decaying sweet romances I grew up, the writer’s choice of backing a flawed protagonist makes it relatable. I follow it up with Punch Goes Abroad, a compilation of travel articles that initially featured in Punch Magazine. It is speed dating at its best as Miles Kington, Julian Barnes, and a few others do their best to woo me. Day 13 introduces me to a new name, Isaac Bashevis Singer, whose stories lead me to a world I know nothing of and hold me trapped there much after the stories end. From new introductions to the always-and-forever, Ernest Hemingway with A Big two Hearted River and The Snows of Kilimanjaro. The next day brings home The Rich Boy by F. Scott Fitsgerald, which carries some shades of Gatsby.

 

 

A tweet alerts me to a new author, Norwegian Joe Fosse. His novella And Then My Dog Will Come Back To Me starts with an innocuous event but soon takes hairpin bend twists and turns. Or does it? The doubts persist though the tale ends. The next few days are what become, by chance not decision, my classic phase. I read Ambrose Bierce, Mark Twain,  William Faulkner and Jack London. The only interruption is Bernard Pomerance’s brilliantly conceived play The Elephant Man, which is read out loud over a Zoom call with a group of fellow readers and followed by a spirited discussion.  The classic phase is followed by some contemporary geniuses Kazuo Ishiguro’s Nocturnes and another eternal love Haruki Murakami’s The Folklore of Our Times.

 

 

A week away from a month of reading a different author every day, and it occurs to me that I have neglected contemporary Indian writers. V S Naipaul‘s Indian origin gets him a foot through the door and his short stories in A Flag on the Island paint a vivid picture of life on the islands of Trinidad and Tobago. From the Caribbean, it is a quick flight back home to Mumbai. Rohinton Mistry’s Firozsha Baug acquaints the reader with life in the Parsi colonies that dot the city. Another Indian writer on my list is Satyajit Ray with his short story Bonku Babu’s Friend. True to his style, the writer uses a straightforward narrative to hold a mirror before us that compels us to examine ourselves, uncomfortable as it may be. Another neglected group on my list is women writers, and with month-end looming close, I turn to two celebrated women. Virginia Woolf’s short stories The Mark on the Wall and Kew Gardens are in her characteristic stream of consciousness style. Her ability to stretch and collapse moments is astounding. She is followed by Alice Munro with The Bear That Came Over The Mountain which redefines love when seen through a more pragmatic lens. It’s day 30, and the recommendation has come from the great Murakami, a name that made an appearance in his short story Kenzaburo Oe. His Aghwee, the Sky Monster delves into the theme of mental disorder with a subtlety that is befitting of the point of view character. I am enamoured, and I see the merit in exploring a longer relationship with Oe.

 

 

What next? Perhaps, a new reading goal. For now though I am revelling in the many moments that these stories created in the last thirty days. If it weren’t for them, the days would have connected together in a flatline, and that is no way to live.

Illustrations Himali Kothari


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With Shashi Tharoor’s An Era of Darkness, the British Empire’s Indictment Continues

Combined with the meanness of a pedlar with the profligacy of a pirate… Thus it was (that) they united the mock majesty of a bloody scepter with the little traffic of a merchant’s counting house, wielding a truncheon with one hand and picking a pocket with the other 

    – Richard Sheridan

 

Book Cover -An Era of DarknessWhen a 23-year United Nations’ veteran with experience at the Office of the United Nations High Commissioner for Refugees (UNHCR) and UN for Peacekeeping writes about the colonial hegemony of England, how could you refuse? After his famous Oxford Union debate questioning Britain’s reparative responsibility towards ‘her former colonies’ went viral, Shashi Tharoor had publishers clamoring for a more comprehensive exposition. An Era of Darkness: The British Empire in India addresses Britain’s ‘colonial amnesia’ with a perspective-laden history lesson for those unfamiliar with British colonialism and India’s struggle for independence. For those who are familiar with Indian history, the narrative is a trudge through known facts while waiting for Tharoor’s eloquent gems.

 

Thomas Roe
Thomas Roe

Writing as an “Indian of 2016 about the India of two centuries ago and less, animated by a sense of belonging morally and geographically to the land that was once so tragically oppressed by the Raj”, Tharoor meticulously breaks down the British Empire’s arrival and conquest of India, including its barbaric practices against ‘uncivilized’ Indians which were frequently rationalized with the stereotypical stiff upper lip, and the ‘consequences of the Empire’ in post-colonial India. Beginning in 1615 with the arrival of the first British ambassador, Sir Thomas Roe, appearing in Jehangir’s royal court, the author traces the British Empire which had its precursor in the East India Company’s (EIC) trade expansion and the decidedly deliberate ‘looting of India.’ EIC’s expansion was ably supported by British soldiers who destroyed Indian looms and have even been alleged to “break the thumbs of some Bengali weavers, so they could not ply their craft.” While the 1857 Indian mutiny ensured the formal control of the British Crown, imperialist policies began as early as the late 18th century when the East India Company established ‘Mayor’s Courts’ in 1726. However, the supposed ‘rule of law’ established during colonial India refused to accommodate Lord Ripon’s attempt to “allow Indian judges to try British defendants,”

 

Tharoor systematically argues against British claims of providing India with civilizational tools of education and democracy even as ‘the destruction of India’s thriving manufacturing industries’ laid the foundations of the United Kingdom’s thriving industrial development (Fig. 1). Economist Utsa Patnaik asserts that “between 1765 and 1938, the drain amounted to 9.2 trillion pounds ($45 trillion).” Tharoor also examines Empiric claims of enabling India’s political unity in detail including British expropriation of Indian royal authority and Lord Cornwallis’ ‘Permanent Settlement’ (1793) for 90% revenue from land taxation which exploited village communities in Bengal, Bihar, and Orissa similar to the haciendas in Latin America. Neither is he convinced that British parliamentary democracy is suited for contemporary India which he feels “has created a unique breed of legislator largely unqualified to legislate.” 

Share of World GDP (0 - 1998 A.D.)
Fig. 1: Share of World GDP – United Kingdom vs India
Source: Angus Maddison – The World Economy

 

Of course, the fairly exhaustive examination of British colonialism does not fail to ponder over the ‘British Colonial Holocaust’ claimed by researchers to be a direct result of the institutional failure of Winston Churchill’s policies during the devastation of the 1943 Bengal famine causing the death of nearly 3 million people. Even Leo Amery, appointed Churchill’s Secretary of State for India in 1940, recorded Churchill’s famous ‘breeding like rabbits‘ quote when he pushed the British Prime Minister to send food supplies to Bengal.

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According to Tharoor, while the British Empire had forgotten India’s centuries-old historical legacy of cultural assimilation and the consequential embracing of English during its freedom struggle, Britain’s culpability in India’s intellectual subordination is evident in the nation’s 16% literacy at independence. Tharoor asserts that “it is striking that a civilization that had invented the zero, that spawned Aryabhata (who anticipated Galileo, Copernicus, and Kepler by several centuries, and with greater precision), and Susruta (the father of modern surgery had so little to show by way of Indian scientific and technological innovation even under the supposedly benign and stable conditions of Pax Britannica.” 

 

Even as Britain continues its frequent ‘self-exculpation’, barbaric colonial practices have been par for the course in enlightened despotism’ around the world. But the British Empire’s indictment came as early as 1839 when writer and spiritualist William Howitt said, “The scene of exaction, rapacity, and plunder that India became in our hands, and that upon the whole body of the population, forms one of the most disgraceful portions of human history.’ And as Horace Walpole sneered in 1790, “What is England now? A sink of Indian wealth”. Of course, the Kohinoor remains a British Crown Jewel to this day. Whether or not the historical territory of British colonialism in India is familiar to you, An Era of Darkness: The British Empire in India is a shining example of an Indian’s perspective of colonialism.

 

Agni Sreedhar’s The Gangster’s Gita Evokes a Whirlwind of Emotions


The first time I heard the name Agni Sreedhar I was sitting in one of the conference rooms of the Hotel Lalit Ashok, Bengaluru, editing a blog for the Bangalore Literature Festival. Mr. Sreedhar was one of the guest speakers for the festival and was in conversation with renowned Kannada writer Prathibha Nandakumar about his new book The Gangster’s Gita (published by Eka). Like many others before me, I too was intrigued reading about his life and one of our team members filled me in with more details about this so-called gangster turned writer, which only piqued me further. His story has been so unlike the usual that it wasn’t too difficult for me to register his name in the memory amidst the long list of speakers who came to the festival. From then till today, there had been many occasions when I had serendipitously crossed paths with Gangster’s Gita. As lame as it may sound, I have always believed that a good book will always find you when the time is just right.

 

Last night I was window shopping on Kindle and once again found The Gangster’s Gita sitting there asking to be read. I instinctively downloaded it but it was almost midnight. I told myself I will have a look at the ‘Translator’s Note’ and read the rest of the book the next morning. The translation is done by Prathibha Nandakumar and the original title in Kannada is Edegarike. In her note, she talks about the author and his love of literature. She also talks about how translating his book hasn’t been an easier task given Sreedhar’s distinct style of writing along with the need to retain the nuances of the original narration in Kannada. However, all the hard work and the multiple drafts of translation seems to have paid off, because I couldn’t just stop with the translator’s note. Before I knew it, I was already reading the last lines of the book and I must credit the translator as much as the author for the scintillating read. Personally for me, one of the best things that happened to the book is Prathibha’s translation along with her note.

 

The publisher’s note claims that this is a work of fiction and the usual that follows. However, the book begins with words of Erik Erikson – ‘A novel is not necessarily a work of fiction’. The narrator is our very Sreedhar Anna who entered the criminal world under the strangest of circumstances. However, the real protagonist of this stirring story seems to be Sona. Sona belonged with the mafia of the Mumbai underworld and was sent to Bangalore on an assignment that involved Sreedhar Anna and his boss. The sudden turn of events leads to Sreedhar Anna meeting Sona. The duo is then compelled by circumstances to leave Bangalore to Sakleshpur along with Sreedhar Anna’s boss and some of their boys. During their adventurous trip and their stay in Sakleshpur, Sreedhar Anna and Sona get acquainted with each other.

 

The book follows the life of Sona through conversations with Sreedhar Anna. Sona, who is barely thirty years old, intrigues Sreedhar Anna with his calm and poise. Their conversations and Sona’s demeanour unleash a storm within Sreedhar Anna and stirs up the readers too without fail. In her note earlier, Prathibha talked about how they arrived at the title of the book and it can’t be any more apt than this. The book stands on the shoulders of two men who have killed and questions the concepts of strength and weakness, heroism and cowardice. It wretches open the seemingly cold-hearts of these men and drench you in the blood of warmth that flows inside them. The choices that they made, the choices that are made for them, their regrets, their gracefulness demolishes all pre-established ideas of good- bad and right-wrong.

 

Orwell says “Good prose should be transparent, like a windowpane.”, and that is exactly how our author writes. He forgoes the decorative language and sticks with straight yet evocative narration. It is a thin book with only 103 pages yet with its powerful, thought-provoking narration it invoked a whirlwind of emotions within me that I could barely fall asleep. It has been one of the very fulfilling reads for this year and I am grateful for all the happenstances that led me to the discovery of this book.

 

COVID-19 illustration on World Map

Socio-Economic Distancing and Edgar Allan Poe’s Masque of Red Death

As the Wadhawans raced across empty highways to their Mahabaleshwar retreat, media professionals across the country were furious at the flagrant disregard for the national lockdown. Accusations of crony favouritism pointed at elite privilege even as migrant workers trudged across state borders facing the uncertainty of life and livelihood. The socioeconomic distancing caused by the infectious Covid-19 has been evident not just in India but around the world. As Lorena Tacco, an Italian factory worker is quoted in Max Fisher and Emma Bubola report, “Who cares about the workers’ health, while the rich run away”, the rich sit in their high towers, mostly unaffected it seeme, similar to the protagonist in Edgar Allan Poe’s The Masque of the Red Death

 

As was true nearly two centuries ago, socioeconomic status has afforded barriers to Covid 19’s indiscriminate spread around the world. According to Irma T. Elo’s analysis of ‘Social Class Differentials in Health and Mortality’, while “educational attainment influences occupational trajectories and earnings…many researchers in public health and sociology interpret the income-health gradient to be causal from income to health,” since a decent income often “facilitates access to health-generating resources.” But Poe, the quintessential twister of tales, had other plans for Prince Prospero in The Masque of the Red Death. Among Poe’s most allegorical works, the mid-19th century tale of social distancing delves into Prospero’s quarantine in a fortified abbey with more than a thousand royal compatriots and the celebratory mood-lifting party after months of isolation against the infection.

 

The Masque of the Red Death.jpegSet against the backdrop of the Red Death, a fictitious plague-like disease ravaging the populace in the kingdoms of Prince Prospero, The Masque of the Red Death explores the ubiquity of disease in the luxurious halls of Prospero’s royal hideout while his dominion outside, battles the burdens of widespread sickness. Describing the opulence of Prospero’s masked ball with its extravagant costumes and eclectic entertainment, Poe details the septuple imperial suite which served as the masquerade’s polychromatic venue. Furnished according to a particular colour theme, each of the seven chambers was lit by the stained glass in the Gothic window adjacent to each room, filtering light from torchfire blazing across the corridor. While the first six rooms corresponded to the colour of the stained glass in blue, purple, green, orange, white, violet, the seventh apartment… closely shrouded in black velvet tapestries, and scarlet panes… was ghastly in the extreme. Brett Zimmerman considers the polychromatic symbolism as alluding to the journey of life, from “blue representing Neo-Platonic notion of pre-birth and birth,” to “black as gloom, woe, death, mental degradation, criminality, and red as disease or plague, along with a red-black combination representing infernal love, egotism, and possibly even damnation.”

 

 

Perhaps the seventh room’s ebony clock itself was the allegorical representation, its dreadful hourly chime interrupting the merrymaking as the orchestra paused, the masked dancers squirmed, and it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation. Coincidently, Poe’s ironic clock resonates in the apocalyptic Doomsday Clock as it presently contemplates the end of the world at “100 seconds to midnight.” The seemingly prescient Edgar Allan Poe describes the final moments of Prospero’s masquerade when the clock strikes midnight announcing the arrival “of a masked figure (who) had out-Heroded Herod” with accoutrements resembling the countenance of a stiffened corpse… besprinkled with the scarlet horror of the Red Death.” The sight of Red Death personified filled Prospero with rage, and he shouted, “Who dares insult us with this blasphemous mockery? Seize him and unmask him — that we may know whom we have to hang at sunrise, from the battlements!” Of course, that is not the end of Poe’s twisted tale! 

 

 

World Health Organisation - Coronavirus Tweet
World Health Organisation – Coronavirus Tweet

While the world grapples with Covid-19, it has already realised that although socioeconomic disparities can exacerbate the infectious spread, the virus is indiscriminate in its gong of mortality, as Poe stated a couple of centuries ago, “and now was acknowledged the presence of the Red Death. He had come like a thief in the night”, not unlike the coronavirus infection which had even the World Health Organisation fooled until January this year. There is still hope that the impact of Covid-19 can be curtailed, before reaching the pandemic devastation of the deadly Spanish flu in 1918, which killed more people than World War I at somewhere between 20 and 40 million people. As millions cope with the havoc caused by the latest coronavirus, it must be said again– STAY SAFE! 

Palghar Lynching and the Individuals Who Make the Mob

Observe yourself. Look at your thoughts. Understand your speech. Fathom your actions. Now, with all those weapons at your disposal – do you stand with the lynched, the mob that lynched, or the policemen who served the Sadhus on a silver platter to a bloodthirsty mob? If this doesn’t help, ask yourself if you have done anything in your life to prevent such a blood-curdling incident, or on the opposite, have your weapons actually further strengthened such forces? We incessantly post hateful comments, we alienate people we don’t like, we write a deceitful article, we keep hiding the flaws of things and people we love, and then we go to bed with a self-bravo on our back while remaining completely unaware of what we have contributed to. There are people of course who do it on purpose and paycheck but I’m not writing to them.

 

We choose a side according to our predilections. Our group identities are running on a rampage. First, we are Hindus or Muslims or Brahmins or Dalits. These group identities give anonymity to the individual. The individual no longer has to bear the burden of his face and individual identity. He becomes part of a group – no matter how small or big. The group has a mask. This mask hides everyone. The question is who is it hiding the individual from? 

 

The first person an individual needs to hide from is himself – his own conscience. We keep judging our actions everyday. Imagine how much you judged and punished yourself the last time you reprimanded your kid. How is it possible then, that an individual goes and kills 3 people with such nonchalance? The mobocracy hides the individual from his own conscience and this makes it easier for him to do what the mob does. “We were not wrong when we voted our Member of Parliament in on the basis of our group identity, how can we get wrong now? This person must be punished.” The second person this individual is hiding from is the person standing next to him. It’s not that it’s just you who judges yourself. Usually, if you are a youngster, more specifically a juvenile, and you get into a silly fight with your friend out in public, someone will come and chide both of you to end the scuffle. That’s a responsibility an individual of a civilized society takes upon himself without anyone telling him to do so. Why then, the person standing next to a kid who is about to murder someone does not do the same thing when he is part of a mob? Of course, the other person is hiding from his own conscience first. Secondly, he also needs protection from the kid’s conscience. The symbiotes assist each other, become stronger than they were alone, and feel the rush of all-consuming power from inside out before they go for the kill. A life or several lives end. People outrage. People blame the group they hate. Job is done. Only problem – the symbiotes keep coming back.

 

So, what are the group identities involved here? A group of offended muslims because a group member’s daughter loved a Hindu boy, a group of offended gaurakshaks because a few muslims were smuggling cows, a group of offended villagers because somebody stole their child, and a group of angry policemen determined to prove their worth to the country as well as their power over a failed judiciary – these are a few groups that have in recent times been accused or found guilty of lynching. For the entire length of their lives on media – social or otherwise, these killers are referred to with their group name – a few more often than others sometimes. The 2 sadhus and 1 driver – namely – Sushil Giri Maharaj, Nilesh Telgane, and Chikane Maharaj Kalpavrikshgiri were being referred to as thieves or alleged thieves by the media outlets till the time those agonizing visuals came out. On one side, there was hardly any outrage before this and on the other side, once the visuals came out and it was conclusively proved that these were sadhus, a very consorted movement was launched to pin the blame on muslims. On the opposite camp, the people who usually lose their heads and leave no stone unturned to shame every Hindu of the country when an individual of Islamic faith loses his life in a similar situation began to shed ‘I told you so’ and ‘Now, you know how it feels’ tears of joy over the corpses of these men. 

It is not very difficult to see that if we cared about the individual, the outrage would have come two days ago. If we had cared enough to understand that no matter the group identity, an individual’s life should not be lost this way, we wouldn’t hurt each other in riots after riots. If we had cared about the life of the last person standing in the queue of our country’s civilizational progress, we wouldn’t have beaten up the doctors and nurses who have become our first line of defence in these disheartening times. 

 

Research Psychologist Irving Janis (1918-1990) who coined the term ‘GroupThink’ (inspired by Orwell’s DoubleThink) gives eight symptoms to identify GroupThink – 

 

Type I: Overestimations of the group — its power and morality

  • Illusions of invulnerability creating excessive optimism and encouraging risk taking.
  • Unquestioned belief in the morality of the group, causing members to ignore the consequences of their actions.

 

Type II: Closed-mindedness

  • Rationalizing warnings that might challenge the group’s assumptions.
  • Stereotyping those who are opposed to the group as weak, evil, biased, spiteful, impotent, or stupid.

 

Type III: Pressures toward uniformity

  • Self-censorship of ideas that deviate from the apparent group consensus.
  • Illusions of unanimity among group members, silence is viewed as agreement.
  • Direct pressure to conform placed on any member who questions the group, couched in terms of “disloyalty”
  • Mindguards— self-appointed members who shield the group from dissenting information.

 

To see an example, between 347 and 504 unarmed people were killed by the U.S. Army soldiers in the My Lai Massacre during the Vietnam War on 16 March 1968. Victims included men, women, children, and infants. Some of the women were gang-raped and their bodies mutilated as were children as young as 12. In Dave Grossman’s book, On Killing, a veteran described talks about the “ordinary, basically decent American soldier”

“You put those same kids in the jungle for a while, get them real scared, deprive them of sleep, and let a few incidents change some of their fear to hate. Give them a sergeant who has seen too many of his men killed by booby traps and by lack of distrust, and who feels that Vietnamese are dumb, dirty and weak, because they are not like him. Add a little mob pressure, and those nice kids who accompany us today would rape like champions.”

 

Add social media to the mix and groupthink becomes a godzilla that we can essentially refer to as MobThink. I can be meaner on social media than I would normally be with you in person without much of a regret. We create echo-chambers where we keep listening to thoughts and people we like. We hate with much greater gusto augmented by a sense of apathy for the opposite side. We mock people with gau-mutra slurs, we keep calling them puncture-wala, we insult each others’ Gods, we keep insulting the migrants in our states, we keep junking languages our mothers didn’t speak, we keep blaming Brahmins for all the wrongs done to us, we keep discriminating against the Dalits, this is a never ending list. There is always someone else responsible for our failures and problems. 

 

The other group or mob loses all its rights to exist. While social media has come to the party late, its rise and ways retrospectively explain what has been happening in our society for a long time. We are raised to conform. We inherit groups and segregations of caste, language, culture, wealth status, religion, dietary choices and what not. Naturally, we inherit groupthink too. The inheritance might not have been a problem if the individual is given his due place but we spend a lifetime being taught that a group is bigger than the individual. Conformity is expected, resistance is condemned, and quickly a whole society forgets that it is made up of individuals who must have the freedom to think, to question, to discriminate between ideas to become a productive unit of the society. That is a utopian dream though. The group-leader who keeps flipping between leading the groupthink and falling victim to it, is the only individual who is important. Rest are born to follow, propagate the virus of group-thinking, and die facing dystopian realities. 

 

To use an analogy from the story of Ramayana, Vibhishan, who was the only one to see the right in the middle of so many wrongs and could stand against the groupthink of Ravan and his associates is remembered more as a traitor than an individual who had a mirror of truth in his hand to show to the society. On the other hand, Ram had a group of people around him who thought differently and had different solutions to the same problems. From Lakshman who wanted Ram to punish the Ocean God against Ram’s preferred way of prayers to Hanuman who finds out Sita’s whereabouts and Angad who happened to be the son of Baali who was earlier killed by Ram, each individual had a specific role to play in the victory of Lanka. While the epic was written for us to perhaps aspire and work for individual excellence leading to a group’s progress, we have degenerated into clusters of Lanka where the only task at hand is to protect Ravans of the society and their criminal behaviour. Vibhishans are still unpopular and are getting kicked out from their groups with the same disdain and alacrity. This way, mobs preserve their homogeneity and commit to thoughts and acts where everyone is always a participant and no one is ever guilty.

 

What part of the incident should we choose to get shocked at? Should we be shocked that a group of people can kill three people without a moment of hesitation? Or should we be horrified at the fact that the police, which employs a large number of individuals who otherwise derive great joy and frolic by carelessly raining lathis over the vulnerable, literally handed over these men to the hunters as if they were the mob’s marked prey? Or should we be surprised that such an incident could happen in a country under strict lockdown? The lockdown doesn’t surprise us anymore though. Since it began, we have read news about doctors and nurses becoming victims of mob violence in different parts of the country. As recently as yesterday, there are reports coming from Tamil Nadu that the ambulance carrying Simon Hercules’ body, a doctor and medical entrepreneur who ran the New Hope Private Hospital and died of a coronavirus infection, was attacked and his cremation resisted by a mob. 

 

As long as we keep hiding behind the mask of a mob or a group, this is not going to change. The mask has to fall and it is time to bring the individual in focus, the same individual that was taught to us as the basic unit of society and then conveniently forgotten. Individualism holds that a person taking part in society attempts to learn and discover what his or her own interests are on a personal basis, without a presumed following of the interests of a societal structure (an individualist need not be an egoist). The individualist does not follow one particular philosophy, rather creates an amalgamation of elements of many, based on personal interests in particular aspects that he/she finds of use. On a societal level, the individualist participates on a personally structured political and moral ground. Independent thinking and opinion is a common trait of an individualist.” For Carl Jung, individuation is a process of transformation, whereby the personal and collective unconscious is brought into consciousness (by means of dreams, active imagination or free association to take examples) to be assimilated into the whole personality. It is a completely natural process necessary for the integration of the psyche to take place. Jung considered individuation to be the central process of human development. 

 

Evidently, our current central process of human development is rotten and individuals go unaccountable. Since mobs either have no answers and generally possess the demonic power of mob-justice with them, can we absolve ourselves from the sins of these groups? Do we stand the rigours of morality an individual must abide by? We don’t! There was a time when to get such results, psychologists needed elaborate experimental setups. Several psychological experiments of the past have shown that if put in a situation where we – yes, I and you, had a choice to follow a mob to commit an act of crime or not, we are more likely to join the mob.

 

Right now, social media is a live laboratory of several experiments and one doesn’t need to make much effort to see how we join warring mobs online – sometimes against another mob and many a time against an individual. We keep killing our own individualism and vacate more spaces for the mobs to assemble and kill more individuals. When we keep planting the seeds of hatred every day in our lives, how can we expect to out-outrage the lynch mobs? Our polity is filled with individuals hiding behind these hate-mobs, our universities and institutions are saturated with hate-mobs, our media has prime-timed hate in our living rooms. Our government system has accepted people who come out during the elections, use the power of this mob to spew venom against other groups, and then crawl back to their hole with zero accountability or repercussions. Our public discourse is largely ‘against somebody’ than ‘for anything’. Our inner dialogue has disappeared under the pressures of conformity to the lynch-mob psyche. Why does it surprise us then that three people have been killed in the most gruesome manner possible? Are you sure that you are not the rumour-monger of the town who will effect more such killings in the days to come?

The Literature World is Already Adapting to the New Normal

Nothing else seems on everyone’s minds other than the coronavirus pandemic. It has brought entire countries to a standstill. It has brought individual lives to a stop. It has completely changed the way we live, for now. As a result, things have suddenly become more online than physical, from education to office work. The pertinent need for social distancing has brought about this social change.

The world in the pre-corona era saw a resurgence of independent bookstores, but now once again literature has to carve a space in the online sphere and so far, it has embraced this online transformation quite well. Following the lock down rules in India, bookstores and publication houses have been shut down. With that, literary readings, book launches, author sign ups, engaging discussions, and talks have also ceased for the time being.

So where do we go from here?

If one has stable internet and a computer system or a smartphone, for now, a home will suffice. This is because several publication houses, authors, collectives and organisations have turned to the digital medium so that there is not a complete cut off for literature lovers. We can get our dose of literary fun in these trying times too.

 

 

Reading with Kids

Schools and colleges were the first to be shut in March when the coronavirus reared its ugly head in the country. This led to this unexpected scenario where the kids are suddenly home and it is not even summer vacation. The parents were unprepared and so were the schools for this vacuum. The parents had the double task now of working from home themselves as well as keeping the kids engaged.

Some of the initial online literary ventures, thus, focused on kids and getting them to use this spare time to read more since they were forced to be indoors.

An online Facebook Group, Reading Racoons, started #ThodaReadingCorona where till 31st of March everyday at 11am, a video was posted of different children books’ authors reading excerpts from their respective books.

Penguin too launched its series #OnceUponATimeWithPenguin, which lasted till the 1st part of the lockdown.

 

 

Diverse Literary Initiatives

Slowly, as the lockdown got enforced throughout the country, similar events were organised by more publishing houses and literary collectives too. Juggernaut Books in association with the scroll.in perhaps started the first online literary fest, ReadInstead, where celebrities and authors from diverse backgrounds either read book excerpts or discussed them. They post their weekly schedule every Thursday and the videos go live at 1pm. Check out their latest schedule for this week here.

Roli Books has also transformed into Roli Pulse where they conduct panel discussions rather than only having author readings. Zubaan Books joined the bandwagon this week when it began a webinar series discussing myriad perspectives and issues the country faces while battling COVID 19.

 

 

Is It Worth It?

All this begs the question how important and effective are these online ventures? For one, they provide succor to all literature lovers and getting kids to read more is always appreciated. For another, they help literature lovers remain rooted, sane, and well informed even when they cannot physically attend such programmes.

In the age of petty social media distractions and mindless scrolling, such events are a far better alternative. If after three weeks of lockdown, one is thoroughly exasperated by Netflix shows and TV channels, these events are there for you to learn and enjoy.

So, even when and if the lockdown gets eased, these events should continue because of the knowledge they help to disseminate. They do away with physical hurdles of space and are more accessible, albeit with certain technological requirements. You do not have to be in that location or venue to attend the event. You can enjoy all the literary gems from the comfort of your home, sitting on your favourite couch with a pair of headphones. In a way, they could make for the perfect literature festival!

Not to mention they are free of cost and do not carry with them the hustle and bustle of usual literary events or literary festivals. So, if you want to hear your favourite author, you do not have to go through their itinerary or push through hordes of other fans, just sit back and enjoy!

Social distancing might become a norm in the foreseeable future, at least till the pandemic does not recede. Hence, having online literary events and festivals seem an excellent way to keep oneself engaged. They are also innovative models conceptualized by publishing houses or bookstores to remain in business while continuing engagement between readers and writers.

However, in this new world of incessant online communication, the only drawback of the online literary festivals is the online aspect itself. For how many hours can one be attached to a computer? It is one thing to log in and enjoy an insightful online discussion once in a while. But after being constantly logged in, there is a danger of being saturated with it. One would then long for the closeness and human touch of an actual physical event!

Though one possible solution for this is to subscribe to podcasts rather than visual literary festivals, for now, we have in our grasp, well curated talks and readings! Literature now has moved on to greener pastures: the online pastures!

Online Literary Festivals You Should Check Out:

1. The pioneer of literary festivals in India, Jaipur literature Festival, started its digital version which is aptly called, Brave New World.

2. Women’s Web’s #SheReads invites female authors to read and discuss their works. One excellent talk is by Anukrti Upadhyay, author of Daura.

3. Bound India is a great platform to know more about books and budding writers. With the lockdown, they also began a plethora of useful writing workshops and online classes. Their podcasts are a great option for those who are tired of their screens!

4. Harper Collins in collaboration with Algebra: the Arts and Ideas Club initiated RESET that hosts conversations with Harper authors. We recommend checking out their #Lockdown Poetry section where authors read their favourite poems!

5. The Curious Reader’s has two interesting series on its Instagram page: One where authors talk about their work and the other related to staying sane during the lockdown, #StaySafeStaySane

So, spend some quality time brushing up your literary knowledge and exploring its many areas through these and many more such online literary initiatives!

 

Pankaj Dubey’s Trending in Love Picks Unconventional Protagonists


Of all forms of magic that exist on earth, I believe love is one magic that stands out. The power of love is so immense that it can bring together beings from worlds apart and bind them together in an unbelievable way. Almost every day you find stories that bear witness to this miraculous power of love. One such unsaid story of love that brings two people from seemingly different human worlds is Pankaj Dubey’s, Trending in Love (published by Penguin Metro Reads). With a plethora of love stories available in the world of books, Pankaj’s choice of IAS aspirants as his protagonists is quite unconventional yet clever.

 

Sanam hails from a privileged and protective household whereas Aamir grows up in an environment where life is challenging almost every day. The happenstances in their lives lead them towards a dream pursuit called IAS. Neither of them realize that this pursuit is going to open many pleasant and unpleasant pathways in their lives.

 

The first part of the book tells you about the individual struggle they encountered before emerging as rank holders. Their struggles are not the same. Despite the privileges that she enjoys, Sanam comes to face her share of battles against patriarchy and then she decides to conquer the dream single-handedly. Aamir, on the other hand, has an endless list of battles to fight, most important of them the battles that he fights within himself before his mentor-boss Major Kalra nudges him to the right path. Their struggles are indeed tales of inspiration as much the story of an IAS topper is. The second part of the book is about these two kindred souls finding their way towards each other amidst the hilly terrains of Lal Bahadur Shastri National Academy of Administration, Mussoorie.

 

While the book is primarily a story of love, the author does touch upon a variety of socio-political issues. The first chapter itself sets off a discussion on if a financially well endowed, privileged Dalit candidate must opt for her reservation or should she let it go for the sake of more deserving candidates. Then there is this long list of sensitive subjects of concerns when your other protagonist is a Kashmiri. So yes, we sit through discussions on excessive militancy, police abuses, internet outages and whatnot. Pankaj isn’t finished yet. He also talks through his characters about the good and bad of social media, homophobia and more.

 

On the other hand, he also drowns you in sweet pools of poetry, now and then. The beauty of Mussoorie and Kashmir come alive in his words and haunts you for not being there right now. The maggi outings, blueberry cheesecakes and the lovers’ sweet nothings keep you smiling.

 

My only disappointment was that the book had so much potential to be more than just the love of Sanam and Aamir. The stories of Aamir’s cousins Moeen and Sabah, Aamir’s Abbu, Ramya and the characters of Major Kalra and even Aamir’s roommate Badal had a very intense narrative in themselves. If knitted together, they could have given way to a more powerful tale while Sanam and Aamir could still have ended up in each other’s arms. But then, I am merely a reader and readers always want more. A little more drama and gentle heartbreak are all I ask for before the happy ending. Sigh! Pankaj seemed to have thought otherwise and just saved the readers from more tears. So, there it ends with a lot of love and hope.

I recommend this book for two reasons, one it is an absolute page-turner that makes your heart flutter. Second, it gives you a peek into the lives of UPSC aspirants, their unique life (that involves barely any living) and also what it takes to graduate from an Officer Trainee to a successful bureaucrat.

 

John Zubrzycki’s Jadoowallahs, Jugglers and Jinns


It is sometimes easy to forget, amid the ramblings on politics and culture, and religion, even cricket, that India is a magical place both literally and figuratively. Magic has always played an important part of the cultural makeup of this country. Much like the storytellers who go from village to village, narrating myths and legends, or the community of ropewalkers and acrobats who entertain in the middle of a busy street with feats of daring, there is also a community of artists whose profession is to shock and awe with the help of the supernatural, and the impossible. They are street magicians.

This then, is the subject of John Zubrzycki’s thoroughly researched epic – Jadoowallahs, Jugglers and Jinns: A Magical History of India. It is an exhaustively entertaining book that takes the reader on a journey from the court of Mughal Emperor Jehangir to the streets of Delhi in modern India.

Zubrzycki drew upon a wealth of narratives and anecdotes for his research. From traditional Greek travel accounts to eyewitness accounts of merchants, traders, courtiers, chroniclers, and even kings, to libraries, newspaper clippings, magic journals, and personal interviews, Zubrzycki used all to write this account. So exhaustively large is the story that the author has chosen to tell, that it will feel largely incomplete despite the depth and extent of the narrative before the reader.

Indian magic has existed for a really long time. According to Zubrzycki’s own reckoning, there seems to be hints, even actual verses, in ancient texts as old as the Atharva Veda. Clearly, Zubrzycki has found a very extensive goldmine to write about. It is probably one of the most fascinating stories to come out of the Indian Subcontinent, and Zubrzycki has taken great pains to ensure that the narrative is flowing, succinct and enjoyable, and has succeeded in his endeavour – something that is will be made aptly clear to anyone who decides to give this book a try.

 

“India’s pantheon of magicians – jadoowallahs, tamashawallahs, jadugars, madaris, mayakaris, maslets, qalandars, sanpwallahs, sanperas, katputliwallahs, bahurupis, peepshow-wallahs, the list goes on – ranges across creed and caste. Stronger than religious ties, is their association with the barah pal, the brotherhood of twelve, an ancient collective of strolling players that includes jugglers, snake charmers, animal handlers, puppeteers, ventriloquists, storytellers, impersonators and acrobats. Regardless of their backgrounds, members of this peripatetic brotherhood can share a cooking hearth made out of three stones whenever their wanderings bring them together. Economic changes are breaking down what were once strong bonds between these communities. But their arts of legerdemain live on as an integral part of the social, cultural and religious fabric of India as they have for millennia.” (pg. 10-11)

 

Surprisingly, according to Zubrzycki, there is hardly any scholarship on the subject of Indian Magic. That is how Zubrzycki’s book was conceived. During the course of the 19th Century and early 20th Century, the mysticism and grandeur of Indian magic was strange enough that there were many anecdotal accounts written about it by English men and women who witnessed the tricks first hand. “Even Harry Houdini started his career posing as a ‘Hindu Fakir’.” (pg. 19)

These legends and tales of magic from the Land of India had existed since ancient times. The Greek physician Ctesias listed the races of fantastical people living in India as early as 400BCE. There were several such instances. The Greeks wrote extensively about the marvels of India. And they weren’t the only ones. Over time, the feats of magic witnessed by Kings and Queens of India were recorded by courtly scribes and later translated and read by Westerners, increasing the mystery of India. In fact, so unreal and supernatural did these recorded feats of magic feel, that the mystical magical lands of India were living up to their reputation. Afterwards, when they witnessed it first-hand themselves, the western audience was even more enamoured of India and the marvels it had to offer.

 

A chapter that is surely going to take the reader by surprise is the one that Zubrzycki has dedicated to Motilal Nehru, the barrister and father of Jawaharlal Nehru, the First Prime Minister of India. Zubrzycki found a letter during his research written by Nehru to the Protector of Emigrants in Bombay. “I have just learnt that in order to send a party of Indians consisting of performers, musicians, acrobats and artisans to the ensuing Paris Exhibition it is necessary to obtain a permit from the Protector of Emigrants. As I am about to send such a party, I beg to state the necessary particulars for your information.” (pg. 241) The chapter takes a heavy-handed look at the state of immigration laws imposed on Indians by the British.

 

One of the most interesting aspects of the book is the exploration of the most famous of all Indian magic tricks: The Great Indian Rope Trick. The trick was written about in many histories, even in the Jahangirnama, as a feat that was both strange and surprising. It was the subject of much speculation and debate between Indian and Western magicians, with neither being able to successfully accomplish the trick without the use of props. It was a trick that “that was the most marvelous of all and would become the benchmark against which all feats of Indian magic would be measured.” Zubrzycki dedicates an entire chapter (13) to the trick and details its further history in the next chapter. Zubrzycki also tells the history of P.C. Sorcar, arguably the greatest Indian magician, in the final chapter of the book.

 

As a self-proclaimed skeptic, Zubrzycki states at the onset that his intention is, quite literally, only to present a history of Indian Magic. in order to do so, he refrains from giving away the secrets of any of the magic tricks he has witnessed. Filled with lavish portraits and full colour photographs, this is the book that will certainly have people talking about the beauty of Indian magic again.

 

Sources:

 

 

We Have No Time to Stand and Stare

It has been a month now since life started slowing down for me, thanks to the pandemic. With the numbers still spiking in my home state where my parents live, I wake up with anxiety and go to bed hoping for the pandemic to come to an end. However, on the other hand, despite all the extreme inconveniences, I am still grateful for things especially this standstill in our days. I now have time to sit outside my door and watch those squirrels playing around. The street dogs who happen to be my husband’s best friends tease me with their yoga stretches. I play cat and mouse with those evil cats in the neighbourhood. Every time I hear the sound of a truck, I go out without fail to check what they are selling. At times, I sit in peace watching the leaves sway, the butterflies flutter while not yielding to those big bees who try to perturb me. I soak in some sun and I keep wondering how this pandemic has taken me back by 25 years at least.

 

Growing up, we didn’t have a television at home. It was our parent’s decision that there won’t be a TV until we finished our education. In the current times, it might sound like a bigger sacrifice, except it wasn’t that big a deal when we grew up. Guests would ask why did we not buy a TV and then they would be impressed with my parents’ answer and that would be it. We did buy our first TV a few years back after me and my brother graduated. But, not having a TV at home meant that I wasn’t able to relate to Aladdin, Little Mermaid, Jungle Book or any such tele/cartoon series that my friends now feel nostalgic about. I did occasionally sneak out and catch a few episodes of Chandrakanta or Shaktimaan from my neighbour’s home, but those experiences barely make me nostalgic.

 

Instead, I followed ant trails trying to find their hidden treasure. Sometimes, I would place my little finger in the trail to see how the ants got back to their trail. Even before I learnt science, I was convinced that they left behind a secret scent for the rest of the group to follow. I would also try straightening our pet dog’s tail and see how it would stay straight before it curled back. I was also convinced that if I did it daily, it would become straight someday. In the evenings, when the koel started calling out, mimicking her used to be my favourite evening activity. But before she was koel, I knew her as “Akka Kuruvi”. Someone told me that the koel had lost her family tragically and she missed her sister dearly. Apparently, since that day she had been calling out to find her sister or Akka. That is how she came to be called the Akka kuruvi. I always responded to her hoping she will come to think of me as her Akka and be at peace someday. I was very convinced of my theory when one evening I found her outside my grandmother’s home where I was spending my summer vacation. But, now I can’t remember when the dear Akka Kuruvi went on to become koel. Anyway, coming back to my younger days, when I was done with the animals and birds, I sat outside our home and watched people who walked by but then, I grew up in a village, which meant most of the times the streets were quiet in the day time, just the way it is right now in the streets of Bangalore. So it’s no wonder that I feel like the world has gone back by 25 years.

 

That is not all. Those days without tv and with not too many friends to play with naturally led me to read. I read newspapers page to page, including the ads and obituaries. Sometimes much to my mother’s annoyance, I even read from bits of papers that came wrapped in groceries. I always finished reading my language textbooks in the first week. I read the Bible from Matthew to Revelation. And then I topped the scripture test in my school and I was given the Old testament. Again, I read from Genesis to the end. I began to borrow books from friends. I read the book their parents read, most of them, spiritual literature. When I discovered that my school had a library and they were ready to lend books to students, I was the happiest. Every Saturday post-lunch, I bugged Indrani Miss who was in charge of the library. I had a partner in crime, Tamilselvi. We always picked the biggest books in the library, two each. Those kept me going through the entire week. That’s how I ended up finishing War and Peace over a weekend in barely a day and a half. I wept through Uncle Tom’s Cabin but waited for the Saturdays to come. Saturdays became the favourite day of my weeks. Even after being introduced to TGIF, Saturdays continue to be my favourite day, and just like those days many years ago, the pandemic has blessed me with the privilege to sit down and drown myself in endless pages of words.

 

In the last few weeks, I caught myself exclaiming how there is so much peace around although my neighbourhood has always been peaceful, except for my husband’s four-legged friends. Now when I think about it, it wasn’t the peace outside. It was truly the peace from within, or should I say the meme-worthy ‘inner-peace’. Even as we continue to work from home, there is an undeniable sense of calm and quiet that has settled in these days. Even though workload continues to be the same and sometimes even worse, I must say there is less to be stressed about. I do miss the fun of being in office. I do miss going out. I do miss those movie halls I had given up on after the advent of Netflix. I do miss the chaos on the street. And there are times I am just too bored that I end up falling asleep. But despite all the inconvenience and anxieties that fill our days, there is an invisible bliss. I might sound insensitive but I am being honest that I have longed for all these running and chasing to stop for a while. I have wanted life to come to standstill and as always life has a weird way of granting your wishes. To call these days a blessing, I know is a privilege especially when the world is paying for it with thousands of lives every day. Nevertheless, I am not sorry for the strange sense of peace it brought to my doors. I shall go when my time comes just like the many others before me, but for today, I can finally “stand and stare” and for that I am grateful.

Poster of Amazon's Show Panchayat

Amazon Prime’s Latest ‘Panchayat’ Raises Important Questions Sans the Baggage of Clichéd Pessimism

When Amazon Prime’s new arrivals notified me of TVF’s new series Panchayat, for reasons that do not exist, I wasn’t very keen on watching. But, a couple of days later, my partner-in-crime suddenly discovered this new show in Prime and was too excited (again, I know not for what reason). I didn’t tell him about how I had noticed it and duly ignored it, but as always he was too excited to notice my disinterest. So, nonchalantly I started watching it with him. But Phulera’s new Panchayat secretary Abhishek Tripathi beat me in nonchalance and slowly I warmed up to the series.

 

Phulera is one of those many Indian villages where the Village Panchayat leadership posts are reserved for women, where these elected female representatives leave the administration in the able hands of their men and go back to their god-given duty of being the ‘caregiver’ at home. Our protagonist, Abhishek is your aspirational neighbour next door who chilled through his student days and is suddenly faced with the reality of his life in Phulera while his friends Instagram away from their uber-cool urban corporate lives.  So, he decides to bring his life around by preparing for the CAT entrance exam. Having been used to too many super-hero stories and feminist web series, I was predicting that the new Secretary’s young blood would boil and he would change the way things worked for these women representatives in Phulera. Unfortunately for me, he wasn’t Ayushmann Khuranna from Article 15 who wants to right the wrongs. He just turned out to be another half-hearted opportunist stuck up between good/bads and right/wrongs. However, now that you have started watching a series, it’s a crime to not finish it. Also, despite my disappointment in the protagonist being non-heroic and very practical, I came to like other people in Phulera who reminded me of many people I have come across. Some I remember warmly, but most I would rather stay away from.

 

I was in college when my Village Panchayat was first reserved for women. My hostel warden was surprised that I wanted to leave to go home to vote. It helped that she was a feminist or at least she thought herself as one. Off I went and elected the first woman President of my village. She was only a few years older than me and I knew her. She was smart, confident, outspoken, and very capable to be a leader. A year later, I was sitting face to face with my interviewer, and again I have no idea why he asked me this, but he asked me to comment on reservations for women. Hold that thought, I now remember why he asked me that. I think that was one of the many times when the 33 percent reservation for women in Parliament was in the news. I told him, ‘reservations for women’ makes no sense until the time their husbands, fathers, and brothers make decisions in their place. I believe my answer was more of a reflection of my disappointment of how my otherwise talented Panchayat leader was sidelined and how her father/brothers took over the reins of administration. I landed the job and moved to the city.

 

A decade has gone by and my village panchayat is still reserved for women, except there hasn’t been an election in the last five years all thanks to politicians and bureaucrats. These days however, I don’t get too disappointed. I feel like I am another Abhishek Tripathi, because how does it matter if it is a man or a woman.The next woman who won the election in my village was more corrupt than all her male predecessors put together, and all these years being grown up, I have seen more unkind, difficult women as well. So, my blood doesn’t boil and I don’t get goosebumps with seemingly empowering feminist or pseudo-feminist thoughts. Or should I say, it does at times, but not as much as it used to? I have come to believe in harmony, although I am not convinced it exists. Yet strangely, unlike the Women Reservation Bill that maintains status quo for many years even after change of regimes, I have changed my stance with respect to reservation for women. I believe reservation for women is essential despite the cultural baggage and excessive corruption that comes with the arrangement. I believe that is the only way to bring out those real leaders who probably are stuck with their heads in the kitchen fire. 

 

Sorry about that long nostalgic monologue, but coming back to Phulera, I was glad I watched it. It was a lesson and an inspiration in some ways. Revolution may not always be the way to go. Sometimes we have to be patient and give way to evolution. Maybe a little push here and there can expedite the process without really breaking down the good things of the past that we want to leave behind.  

 

Having said that, Pradhan Ji and her PradhanPati make a loving couple. Aarav’s Papa and Aatmaram’s Maa too were equally entertaining. But all hearts to Vikas and Deputy Pradhan Prahlad for filling my day with laughter. I hated Parmeshwar (only because he reminded me of many people I know) and Abhishek sir, kabhi kabhi thoda smile bhi kar lo.